Rua dos Lagares

Domingo de Chuva

It portrays a Sunday in a typically Brazilian home, where food serves as a link to family ties, guided by conversations of all kinds, ranging from memories to gossip.

Tinta Fresca

No Meio de Campo

A Guerra do Pente

Curitiba, PR, December 8, 1959; at around five o'clock in the afternoon, Military Police sub-lieutenant Haroldo Tavares enters the Bazar Centenário, Praça Tiradentes, to buy a comb. He chooses one, finds it expensive and demands an invoice. The store owner, Amhad Najar, argues and they end up fighting. The warrant officer leaves the fight with a fractured leg. Outside the store, the people who were watching the fight and the fight rebel, destroy the merchant's store and go to other stores in the square. The police cannot control the situation. Late at night, a truce: the population goes to sleep, gathering strength for the following days, when the situation becomes unsustainable. The police withdraw from the streets, the Army begins to act and, on the tenth, puts the tanks on the streets.

Vendo Mi Arte

Topo estrellado

Helena: Dom de Educar

CORRES

Phantom Heritage

Pasaje de ida

This is the story of Mr. Rafael Castrillon, a master toymaker with more than fifty years of experience and a former Mr. Peru in bodybuilding. His story is a one-way ticket towards the manufacture of the traditional (incomplete) wooden toy.

Alto das Flores

Alô, alô Amazônia

Laços

Vita Brevis Ars Longa

In the midst of a pandemic, government arbitrariness and the precariousness of Brazilian artists, the documentary shows how these four rappers resisted the difficulties of this period using only one weapon... music. Using plurality, creativity and cleverness, how did they produce music? What role did music play in this period? What did they have to do to stay alive as rappers?

Fotoshooting DDR - Bilder zwischen Propaganda und Alltag

Life in the GDR was not only documented on behalf of the state, but also by photographic artists and journalists. The documentary goes on a journey through time with some of them and shows little-known aspects of the GDR from its foundation to the fall of the Wall. Photographers in the GDR had a surprising amount of freedom; there was no explicit censorship of images. This allowed them to make visible what the state wanted to hide. This documentary presents two photographers who observed life in the GDR and whose work has been rediscovered in recent years.

O Carnaval é de Pelé

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.

Resgatando a qualidade

L'età Sperimentale

Women at the stake

"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.