Social & External
On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.
The baker, the pie-maker and the diminished long-term community of Hoxton Street face gentrification in this compelling portrait of a rapidly changing London.
Sitting at the intersection of two main arteries of traffic on Melbournes Northside is a giant yellow rat that is pointing, with a long gnarled claw, to its explicitly large bottom. This yellow rat is the mascot for the small business Glenlyon Motors. This unusual mascot and the absence of an explanation for its existence has many residents of Melbournes north side puzzled. 'A Rats Arse' finally answers the question on every Northside residents lips - “Why?!” - and along the way reveals something about identity, values, community, and the people who exist within them.
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.
The first in-depth analysis of the unspoken ethnic component behind the most devastating socio-economic movement in America today.
Targeted for several failed redevelopment plans dating back to the days of Robert Moses, Willets Point, a gritty area in New York City known as the “Iron Triangle,” is the home of hundreds of immigrant-run, auto repair shops that thrive despite a lack of municipal infrastructure support. During the last year of the Bloomberg Administration, NYC’s government advanced plans for a “dynamic” high-end entertainment district that would completely wipe out this historic industrial core. The year is 2013, and the workers of Willets Point are racing against the clock to forestall their impending eviction. Their story launches an investigation into New York City’s history as the front line of deindustrialization, urban renewal, and gentrification.
Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.
A journey through the fantastic and mysterious Barcelona that the Spanish writer Carlos Ruiz Zafón (1964-2020) loved so much, the city of myth and legend, the city that was before it became one of the main European tourist destinations.
A short documentary shot in November 2021 in Berkeley. It reflects on the ethos of privatization in American culture and how public spaces are being built to exclude people through cruel architecture. The context used is the gentrification circle around the University of California Berkeley intended to build student housing. An eye-opening journey that explores structures and elements you would never have stopped at.
Jose Rivera is a lifelong resident of Spanish Harlem (El Barrio) but is afraid that gentrification will force him out. James Garcia has just bought an apartment across the street from public housing and wonders why locals resist his moving into the neighborhood. James Barrow worries that a construction project in an empty lot behind his building will threaten his apartment. Oscar Dominguez and Movement for Justice in El Barrio protests against gentrification. A town hall meeting pits community members against a City Councilwoman who supports a massive development project in East Harlem.
In recent years, the Marga Marga Province has witnessed a drastic change in the visual and sound landscape due to urban expansion. Faced with the observation and the need to explore the territory that seems more and more alien and less and less our own, the film functions as a material resource and support for plastic reflection on living in the midst of capitalist progress.
In the 1950s, Seattle had plans to build one of the densest networks of freeways in the world. It would have displaced thousands, especially the poor and people of color. Over the next two decades, a broad coalition of communities came together and halted these plans. Testimonies from that era are juxtaposed with interviews of activists who participated in the revolt, giving a picture of what Seattle could have been had the people not stood up to the highway lobby and their representatives.
A film about the cross coalition of communities that stopped a planned network of freeways from being built in Seattle in the late 60s and early 70s. It weaves together archival material with the filmmaker's personal narrative about living next to freeways, and features interviews with participants from the freeway revolt.
This short documentary chronicles a four-month period between 1979 and 1980 when residents of Hawaii's Sand Island "squatter" community attempted to resist eviction from the Honolulu shoreline - resulting in displacement, arrests, and the destruction of a community.
The 94-year-old Robert Frank’s unique recordings of his fellow artists Harry Smith and Allen Ginsberg, which he had salvaged from his own archive for Harry Smith at the Breslin Hotel.
Over the course of over six decades, Honest Ed's became a Toronto Landmark. The neighbourhood it left behind when it closed its doors in 2016 reflects on its history and legacy.
In 1980s Brooklyn, a resilient family, evicted from public housing, refuses to succumb to homelessness or welfare. Instead, they construct their own home-one scrap of discarded wood at a time.
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