Small Market, Big Heart

A documentary that details Sacramento, California's struggle to keep the Sacramento Kings.

Hiver 54 : L'Abbé Pierre et l'insurrection de la bonté

You've Been Trumped

In this David and Goliath story for the 21st century, a group of proud Scottish homeowners take on celebrity tycoon Donald Trump as he buys up one of Scotland's last wilderness areas to build a golf resort.

Sonicsgate: Requiem for a Team

"Sonicsgate" is a feature documentary film exposing the truth behind how Seattle lost the SuperSonics after a heated legal battle in 2008. The perfect storm of corporate greed and political impotence formed to rob loyal Seattle sports fans of their oldest professional franchise. The team's celebrated 41-year run in Seattle included an NBA Championship, three Western Conference titles, six division titles and legendary players such as Gary Payton, Shawn Kemp, Ray Allen, Tom Chambers, Xavier McDaniel, Jack Sikma, Freddy Brown, Slick Watts and Spencer Haywood... just to name a few. As NBA salaries skyrocketed following the 1999 player lockout, the league's business model changed to require expansive new buildings paid for with taxpayer dollars. Seattle's KeyArena, built in 1995 as a remodel of the old Seattle Coliseum, just wouldn't cut it anymore according to NBA Commissioner David Stern...

One Book at a Time

Sarah Kamya is a school counselor in New York City. She began the project Little Diverse Libraries on June 3rd and has already raised over $13,000, supported black owned bookstores, and has distributed 775 books to Little Free Libraries across all 50 states. Sarah is helping educate communities while most importantly amplifying and empowering black voices.

How the Monuments Came Down

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

Brick by Brick

A prescient portrait of late-1970s Washington, D.C., that chronicles the city's creeping gentrification, the systematic expulsion of poor Black residents, and the community response in the form of the Seaton Street Project, in which tenants banded together to purchase buildings.

Holding Our Ground

Filmed in a squatter community of Labangon in Cebu, Philippines, Holding Our Ground is the inspiring story of a group of women who have organized collectively to pressure their government for land reform, to establish their own money-lending system and to create shelters for street kids. A story of grassroots organizing that can be a model in both hemispheres.

Abbé Pierre - A Century of Devotion

The life of Henri Grouès, known as Abbé Pierre, from his time in the Resistance in WWII to his fights against poverty and for the homeless.

Hiver 54, l'abbé Pierre

Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years.

Bloordale Beach

An ode to Toronto artist Shari Kasman's "Bloordale Beach": a demolition grounds turned absurd community rallying point at the height of the COVID-19 pandemic, and ironic emblem of the urban housing and public space crises. Screenings (Selected): Hillside Music Festival, Breakthroughs Film Festival Guelph Film Festival, Better Cities Film Festival, CivicLab TO, The Art of Intervention (group show) Northern Contemporary Gallery Awards: Top 30 Artists For Social Change — Conscious Economics

Stuttgart Shanghai

A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.

Roger Waters: Us + Them

Filmed in Amsterdam on the European leg of his 2017 – 2018 Us + Them tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side of the Moon, The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?

Homo Spatius

Can Homo sapiens evolve into Homo spatius? For over 50 years now, we have been testing our human nature in our effort to conquer outer space, and still 30 years away from a possible human exploration of Mars, a question remains: Can our body take such travels? Will it ever adapt? Combining human adventure and the exploration of the human body, this film offers unique insights into the physical and psychological effects of space travel on the Astronauts and measures the impact on medical sciences.

Auf der Suche nach Heilern

“I am a hypochondriac”, admits Rosa Von Praunheim, the icon of the gay movement, right at the beginning at the film. The director, who turned seventy in 2012, is afraid of cancer, and he actually suffers from glaucoma, with osteoarthritis in his big toe. Von Praunheim is interested in alternative medicine and goes on a foray into the scene.

Helbra

The film tells the story of three friends and their long years of drug addiction in a small village of East Germany.

Hotel Explotación: Las Kellys

More than two hundred thousand women work as maids in Spain, and perform a task as fundamental as invisible in the hospitality sector. Our documentary covers the life, problems and struggle of the Kellys (the ones that clean the hotels). While the government proclaims the strength of the tourism industry in our country, as a flagship of GDP, its working conditions have progressively worsened, reaching a charge of one and a half euros per room. 'Hotel Explotación: Las Kellys' is the story of a fight to empower, organize and restore dignity.

Tattoo Girls

Tattoo girls is a memoir of life as it is and of women as they are. A window to the lives of seven women from the same city where nothing is exactly as it seems and reality is often hidden behind illusions. It's a female centric-film showcasing about a group of ordinary women (within a range of ages), and their different styles of daily life, showcasing their stories and the impact they have on society as real, everyday women. We are living in a era of the importance and empowerment of women throughout the world, and this documentary aims to convey ideas and topics to be felt, absorbed and discussed.

Beach Birds for Camera

Cunningham said of his choreography for "Beach Birds", “It is all based on individual physical phrasing. The dancers don’t have to be exactly together. They can dance like a flock of birds, when they suddenly take off.” A work for eleven dancers, the rhythm for "Beach Birds" was much more fluid than other Cunningham dances, so that the sections could differ in length from performance to performance. John Cage composed the music, and painter Marsha Skinner provided the costumes and décor. The dancers were dressed identically in all white leotards and tights, with black gloves. Skinner’s backcloth was a white scrim on which the light varied in color and intensity, decided by a lighting plot that was devised using chance methods. While the timings did not relate to the dance structure, the gradual changes of light have been interpreted to imitate those that might occur from dawn to dusk on a beach.

Antic Meet

Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.