What is birth? It is said that being born into this world is the beginning of suffering: dukkha.
Social & External
A lonely Brooklyn photographer (Randy Harrison, "Queer as Folk") gets the courage to come out from behind his camera to capture his crush, but it turns out there is more to the picture than meets the eye.
Dora and Boots embark on an incredible adventure to the land of alebrijes, the most magical and colorful creatures in the rainforest. There, they must band together against Swiper to save the beloved alebrijes and their Copal Tree Celebration.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Jamila is a prostitute serving a life sentence behind bars. She surrenders herself to the authorities after admitting she killed a high-ranking minister, and refuses to be represented by any lawyer or request a plea to ease her sentence.
Re-mixes and extends Perestroika (2009) into two sequences. Sequence one constritutes the 2009 version, while the second sequence constructs a new framing narrative that reinterprets and reconfigures both the imagery and the experience of the first. Part psycho-geography, part dream and part environmental allegory.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
In this hysterical deadpan pseudo-doc, acclaimed Polish artist Karolina Bregula constructs a scenario in a fictional Northern European city plagued by mysterious fires throughout its history. As the towns peculiar inhabitants speculate about the cause of the fires, the way they may be prevented and the strange coincidence of where they occur, a possible conspiracy to destroy local art begins to emerge. Are the fires caused by a secret cabal of art historians who wish to aid local artists by eviscerating the burden of art history? Have the needs of the art market placed infinite demands upon the finite resources of artists? Fires, a botanist tells us, are vital to maintaining fully dynamic ecosystems. Without fires there simply is no new life.
A feature-length documentary on Yvonne Bezerra de Mello, award-winning artist and human-rights activist who has gained international recognition for her work with street children in Rio. The film recounts how a woman turned her back on a wealthy lifestyle, driven into action by the execution of 8 streetkids by military police in 1993. In subsequent years Yvonne's struggle to better the lives of endangered and abandoned children has led her to found "Projeto Uere" ("Children of Light") a radical project committed to protection and education of kids who live in the streets and slums of Rio which has brought her into conflict with Brazil's wealthy elite.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Edgar Allan Poe’s ill-fated hero meets his double.
Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.
A teenage boy, troubled and alone wanders the grassy hills looking for something. He settles on a slope and searches for some activity to amuse him. He begins to pick pieces of his body off and taste them. This seems like a good thing to do. So he removes his eye, his face and finally his own guts and eats them all in an orgy of ecstasy and gore.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
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