CAN: The Free Concert

The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.

Tangerine Dream - Signals from the Schwäbischen Strasse

German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.

CAN and Me

In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame. Schmidt also made a name for himself as a composer for films by Wim Wenders. In this documentary, the charismatic sound tinkerer looks back on his life and career.

Amon Duul II: Plays Phallus Dei

Directed by German filmmaker Rüdiger Nüchtern, this behind-the-scenes rock documentary captures Amon Düül II, as the progressive rockers record their debut album, "Phallus Dei," in a Munich recording studio in 1968. Blending performance footage with a collection of psychedelic nature clips, Nüchtern's meditative film captures the true essence of the legendary krautrock collective. The movie premiered at the Edinburgh Film Festival.

Kraftwerk and the Electronic Revolution

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

Vagabond's Band

In 1979, krautrock group Embryo toured Iran, Afghanistan and India by bus, while performing with local musicians and documenting their trip.

CAN: The Documentary

The late-'60s avant garde rock band CAN gets a feature-length tribute with this affectionate documentary chronicling its odd inception and subsequent career. In CAN -- The Documentary, the remaining band members are interviewed amidst culled together archival footage from talk shows, concerts, and television appearances to paint a portrait of a band who always remained happily on the sidelines of mass appeal, mixing street music, jazz, folk, and rock into a sometimes poppy, sometimes abstract stew. The band's influence on such seminal acts as Sonic Youth and Talking Heads is also analyzed.

Romantic Warriors IV: Krautrock (Part I)

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

Romantic Warriors IV: Krautrock (Part 2)

Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.

BAUS '93

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

Birth Control - Live in Harmonie Bonn

Live performance of the prog legends Birth Control. The concert recording contains new material, but also well-known classics, handmade grooves, interesting harmonies, burning solos and soulful rock vocals in front of an enthusiastic audience.

Madame

The documentary tells the story of Camille Cabral, Northeastern woman, transsexual, first Brazilian elected in France.

Porque Era Ela

White Noise

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.

Walking Back to Happiness

A filmmaker embarks on a search for his real family name. The name his family has been passing on from father to son is not the right one. In the meanwhile he discovers many family secrets and feuds. An honest, humorous and universal story about fatherhood and family secrets.

A Song of Africa

An impressively done new documentary taking a look back at the making of this picture. Interviews with everyone from director Pollack to composer John Barry take us through the memories of the making of the picture. In between interview segments are looks and thoughts on and at the history of the story and Africa itself. Especially entertaining is when Streep and Pollack talk about working with the animals.

Heroes of Horror

A&E Comprehensive biographies of five of the greatest classic stars of the horror genre. Features lots or archive footage from some the greatest horror films committed to celluloid.

The Blizzard of AAHHH's

Greg Stump's rockumentary-style ski film inspired a whole new generation of skiers when it was first released in 1988. Taking a look at the heroes of the ski world -- both known and unknown -- Blizzard of Ahhhs features some of the best ski action ever filmed.

Buried in the Rock

Every corner of the world has now been mapped, from the remotest deserts to the highest mountains. Yet beneath the earth’s surface, accessible only through crevices, lies a largely unknown world.

Natalie’s Trifecta

South African artist Natalie Paneng’s biography describes her as “residing in Johannesburg and the cyber village called the internet.” The physical and digital are on an equal footing in Paneng’s utopian art, in which she uses various media to explore how our online personas relate to reality.