Social & External
American states and parents in both Europe and the United States are engaging in a joint fight against digital giants to ensure their responsibility in the addiction of young people to screens and social media is recognized. Among them, five women have chosen to disrupt their daily lives: Alexis, Kathleen, Elisabet, Laure, and Socheata.
"It’s not easy to find a foster family for you," an orphanage supervisor explains to nine-year-old Alicia. "After all, you are a very special girl." Alicia is crying. "I’m not special. I’m just a girl." This disturbing scene sets the tone for this film about Alicia, who was taken away from her teenage mother by the Child Welfare Bureau when she was 12 months old. She’s been living in an orphanage since the age of five, and they have never managed to find a foster family for her. In Alicia, we watch as she becomes a teenager, still craving safety and love. Over the course of three years, filmmaker Maasja Ooms follows her daily life up close. Alicia's yearning and powerlessness are palpable in these observations, which painfully reveal the effects of having no prospects.
A direct, uncompromising look into the complex machinery of Quebec’s youth protection services (known as the DPJ). https://lustitia.com/en/productions/dpj/
THE DEPARTMENT is a feature documentary which takes us inside the never-before-seen child protection system at work in NSW. Filmed in an observational style, it follows caseworkers across the state as they navigate the complexities of keeping children safe in families experiencing domestic violence, addiction, poverty, mental health issues and intergenerational trauma.
On Fanø, Denmark, three young families have their lives brutally turned upside down when the municipality suspects them of having abused their children. The suspicion is unfounded, but the damage is done, and the families are now dragged through a process involving child interviews, police interrogations, and more. Is the law on protecting children from abuse too far-reaching, or is it simply the price some must pay to prevent serious cases of mistreatment and neglect?
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.
During World War II, South Sea beachcomber Walter Eckland is persuaded to spy on planes passing over his island. He gets more than he bargained for as schoolteacher Catherine Frenau arrives on the run from the Japanese with her pupils in tow!
Barbara was caring for her grandchildren when her granddaughter Tiara was taken from school by welfare workers. Barbara fought for the next seven months to have her returned and finally won but the consequences of the removal on the family will never go away.
Angelina lives in a big city on the sea coast, where handsome men and beautiful women are strolling the streets with only one purpose: to have fun, flirt and love. But Angelina, being pretty, intelligent, and nice, finds herself lonely. She is a police officer and her job is helping abandoned kids, orphans, and troubled youngsters. One day one of her charges, a little boy, explains to Angelina how lonely, dull and useless she is. Those words have been bothering her ever since, and she decides to change herself.. Angelina starts her way through the darkness…
Wherever 9-year-old Benni ends up, she is expelled. She has become what child protection services call a “system crasher.” But she is not looking to change her ways, and has one goal: go back home to her mother. When anger management trainer Micha is hired to help, suddenly there is hope.
Masaru Aso was the lab assistant of geneticist Doctor Mochizuki, used as one of his experiments related the creation of the Neo Organism, enabling him to transform into a grasshopper-like being called Kamen Rider ZO. He fled into the mountainside and went into a coma before he was awakened by a telepathic call two years later with an unconscious urge to protect Hiroshi Mochizuki, the son of Doctor Mochizuki.
Once upon a time there was Louise and her friend, the magician. But his last trick left a bitter taste in her mouth. He disappeared in a curtain of smoke… never to appear again. This is too much for the young woman. Devastated by endless grief, Louise is sent to a psychiatric asylum, resigned to the idea that she will swallow pills till the end of her days. Yet nine months later she gives birth to a child who is likely to have a big problem for his future class pictures, since he’s invisible. But Louise doesn’t care. He’s her angel and, wanting to protect him from this cruel world, she decides to keep his existence a secret. Years later, Louise’s angel has grown up. He even managed to find a girlfriend; Madeleine. The two become inseparable, for Madeleine never judges him. And for good reason: she’s blind.
Boomah is notorious and knife-savvy female gang member who becomes embroiled in a power struggle between street thugs and religious extremists while battling the traumas of her harrowing orphaned past.
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.
How do you deal with right-wing extremists in the neighborhood? Exclude, tolerate or involve? Rural regions in particular are prone to infiltration by nationalist settlers. Right-wing extremists systematically penetrate village structures, pretending to be nice neighbors, committed citizens and problem solvers in a completely non-ideological way. Local volunteer fire brigades and football clubs are infiltrated by Nazis. Done among others in the village of Groß Krams in Mecklenburg-Western Pomerania, where two right-wing extremists seem to be part of everyday village life. One of them works as a firefighter. In Appen, Schleswig-Holstein, the state chairman of the Hamburg NPD wanted to join the village's football club. But the club's management refused when they found out about the political background. The documentary by Hans Jakob Rausch illuminates the infiltration strategies of the extreme right and the difficult balance between tolerance and engagement against right-wing radicalism.
This film reveals some of Madagascar's secretive and rarely filmed inhabitants, from the apex predator, the fossa, to the aye aye – possibly the weirdest creature on earth.
An up-close look into the life of the often misunderstood movie director Grigori Kromanov through the lens of old friends and colleagues.
An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.
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