Social & External
For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.
Montage film by Aymeric Caron, broadcast at the French National Assembly on May 29, 2024. “Is it a dream or a reality? » demands a little girl stunned by her injuries. It is a nightmare, without a doubt, and nothing can justify it, neither the crimes of October 7 nor the detention of Israeli hostages by Hamas. Condemning all the crimes of October 7, before and after, condemning anti-Semitism and all forms of racism is common sense. However, it seems that this needs to be clarified. Everyone present normally wishes that the surviving hostages can one day be reunited with their families and that the massacre in Gaza stops immediately. But to follow through with the process is to see things face to face, to see what has been happening in Gaza since October 7, what the Israeli army is doing, what the television channels are not showing.
Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Aztec Emperor Moctezuma II.
Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.
Writer-actor Aaron Davidman embodies seventeen different characters in and around the sacred city of Jerusalem as he takes us on an eye-opening journey into the heart of the Israeli-Palestinian story. Exploring universal questions of identity and human connection, the film is about one man's effort to embrace a multiplicity of conflicting viewpoints, chronicling a brave exploration of the complex humanity at the heart of one of the world's most troubling conflicts.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
One war, ten days, three stories: the Old City of Jerusalem, at the dawn of a new Middle East. For the Brits, it’s the shameful end of 30 years Mandate. For the Jews, it’s the birthday of their State. And for the Palestinians, it’s a catastrophe. Only now, 60 years later, images can be shown from three opposing points of view, telling a whole new story.
A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.
How US politicians and diplomats, over the past 25 years, have come close to achieving something almost impossible: securing peace between the State of Israel and its Arab and like-minded neighbors, mired in a struggle both dialectical and violent since the early 20th century, due to historical and religious reasons, entrenched offenses and prejudices, and the invisible and tyrannical hand of third countries' geopolitical interests in the area.
In the fall of 2002, it was announced that Benjamin Netanyahu would deliver a speech at Concordia University in Montreal, and reaction from the student body was swift and sudden.
Czech Photographer Josef Koudelka grew up behind the Iron Curtain and always wanted to know "what was on the other side". Forty years after capturing the iconic images of the Soviet invasion of Prague in 1968, the legendary Magnum photographer arrives in Israel and Palestine. On first seeing the nine-meter-high wall built by Israel in the West Bank, Koudelka is deeply shaken and embarks on a four-year project in the region which will confront him once again with the harsh reality of violence and conflict. Director Gilad Baram, Koudelka's assistant at the time, follows him on his journey through the Holy Land from one enigmatic and visually spectacular location to another.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
On the eve of the Israeli attack on Egypt in 1956, Israel declares martial law in all the occupied Arab territories without any previous notice. When the villagers of Kafr Kassem returned home from the fields, they were butchered and killed in what is known today as the massacre of “Kafr Kassem”.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.
Archaeological gardens and tunnels are built. Khaled and other Palestinians lose their homes. Lawyer Ziad gets angry new clients every day. Arieh and other Israeli settlers move in. PeÅ Holmqvist and Suzanne Khardalian follow a turbulent Jerusalem, 50 years after Israel took full control.
Kurt Longson tries to avenge his daughters death. To succeed he has to battle with his conscience and morality to realize true love.
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
Set one year after the events of Hell House LLC II, the hotel is on the verge of being torn down when it is purchased by billionaire Russell Wynn as the new home for his popular interactive show, Insomnia. He invites journalist Venessa Sheppard and her crew to record everything happening inside the hotel leading up to the performance - but they soon encounter a more nefarious plot, one that threatens to unleash a veritable hell on earth.
Franck just had the most crazy and wonderful idea for a company that would finally get him and his friends proper jobs. As Uber delivers food, Amazon daily items, Song Express will deliver songs. To your friends, or your loved one, or yourself, anywhere you want. It is brilliant, it is foolish, it could work… For Franck, Jean-Claude, Sophie and José, Song Express becomes something more than just a professional challenge: it is the dream of a lifetime.
A lonely widow plans a trip around the world with her husband's ashes, to visit the places they loved in the movies. During her first stop in Scotland at the beautiful estate she stays in, she meets the innkeeper who changes her life forever.
When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.
Dr. Paul Carruthers is frustrated because he thinks his employers, Mary Heath and Henry Morton, have cheated him out of the company's profits. He decides to get revenge by altering bats to grow twice their normal size and training them to attack when they smell a perfume of his own making. He mixes the perfume into a lotion, which he offers as a gift to Mary and Henry. When they turn up dead, a newspaper reporter decides to investigate.
Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?
Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.
On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.
A man and a woman, talking over their relationship.
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.
What begins as a grand tournament soon turns sinister when fighters start disappearing without a trace. Drawn into the mystery, Deathstalker uncovers a wicked queen’s plot and her army of unstoppable stone warriors. Now, with his fellow champions in danger and a new love to protect, Deathstalker must fight his greatest battle yet—or become just another casualty in her twisted game.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
Alone on a farm, a man spends his days tending to his animals, with a particular love for his sow. After an illicit encounter between the two creatures, the pig gives birth. However, tragedy strikes when the man tries to force the newborn piglets to love him as he loves them.
Did the Nazis ever see Charlie Chaplin's 'The Great Dictator'? Yugoslavia, 1942 - The young Serbian projectionist Nikola Radosevic decides to teach the German oppressors a lesson they won't forget. The beginning of a true and astonishing World War II resistance story.
An aging, down-and-out public employee must face the primary school examination.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.
