A documentary spotlighting "car-art" in America.
Social & External
Himself - Cosmic Ray Deflection Car
Himself - Super Coupe
Himself - Postcard Truck
Himself - Jewel Box
Himself - DC 6 & DC 13
THE WILD WORLD OF TED V. MIKELS, a new documentary by Kevin Sean Michaels (no blood relation to Ted, but the same spirit), is a rollicking look at the independent cinema and film pioneering of Ted V. Mikels, who has been producing films for over 60 years. Way before limited-budget action films became termed as "grindhouse," Ted was wowing audiences with his own special brand of guts, gore, humor, violence and most of all -- style. THE CORPSE GRINDERS 1 + 2, THE ASTRO-ZOMBIES, 10 VIOLENT WOMEN, MISSION: KILLFAST, THE BLACK KLANSMAN, THE DOLL SQUAD, THE WORM EATERS and GIRL IN GOLD BOOTS are some of Ted's films that have made their cinematic mark.
Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.
A man sends a young architect to build an extravagant garden to bankrupt the husband of the woman he once loved.
Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.
Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.
Let's Make a Movie is the story of Cassie Thompson (Played by Hallie York), a college dropout and ex-film student who is tired of being disrespected and downtrodden, has decided that she's had enough. In a subconscious effort to turn her life around, she decides to make a movie with a rag-tag group of friends. The only problem is the movie is impossible for her to film without a $100 million budget, and her cast and crew are neurotic and inexperienced, to say the least. Will Cassie prevail and finish her movie, or will this become another mark on her long list of failures?
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.
How do you deal with right-wing extremists in the neighborhood? Exclude, tolerate or involve? Rural regions in particular are prone to infiltration by nationalist settlers. Right-wing extremists systematically penetrate village structures, pretending to be nice neighbors, committed citizens and problem solvers in a completely non-ideological way. Local volunteer fire brigades and football clubs are infiltrated by Nazis. Done among others in the village of Groß Krams in Mecklenburg-Western Pomerania, where two right-wing extremists seem to be part of everyday village life. One of them works as a firefighter. In Appen, Schleswig-Holstein, the state chairman of the Hamburg NPD wanted to join the village's football club. But the club's management refused when they found out about the political background. The documentary by Hans Jakob Rausch illuminates the infiltration strategies of the extreme right and the difficult balance between tolerance and engagement against right-wing radicalism.
This film reveals some of Madagascar's secretive and rarely filmed inhabitants, from the apex predator, the fossa, to the aye aye – possibly the weirdest creature on earth.
An up-close look into the life of the often misunderstood movie director Grigori Kromanov through the lens of old friends and colleagues.
An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.
A daughter's search for justice for her mother following a traumatic sexual assault.
In the heart of the Peruvian Amazon, Saor, a young androgynous Indian, carries a coffin. He is taking Valentina, his lover, back to her native village to bury her. When Valentina left this village years ago, before becoming a transgender singer in a faraway city, people here knew her as Pol. Valentina's past and death remain an enigma. Yet bit by bit, through his encounters with the people of the village, Saor begins to perceive what connected them to Pol. Sensitive to the world around him, Saor, like a Shaman, enters their memories. Saor starts to understand that, like all homosexuals persecuted by Shining Path terrorists, Pol lived in terror. In the village cemetery, between rage and bitterness, Saor attends the burial of Valentina's body. A ceremony that is both a burial and an exhumation.
Ricardo and Painting is Barbet Schroeder's portrait of his friend the painter Ricardo Cavallo, who devoted his life to painting. From Buenos Aires to Finistère, via Paris and Peru, this film is an invitation to dive into the history of painting, but also to discover the life of this exceptional man who, with simplicity and humility, always fully committed, to the point of transmitting his passion to the children of his village.
From Nashville newcomer to international icon, singer Shania Twain transcends genres across borders amid triumphs and setbacks in this documentary.
1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in the car, terrified. Superintendent Kouassi is the detective in charge of the investigation. Tall and lanky, he moves with the tired energy of a man who has seen it all. Drawing on a network of underworld characters with dubious information, Kouassi’s team begins bringing in potential suspects and subjecting them to horrific brutality: beating them with sticks, hanging them upside-down, threatening their lives. Some of the men are left so broken they have to literally drag themselves into Kouassi’s office later, to be interrogated while lying on the floor, their bodies a mess of bruises, broken bones, and lacerations.
Earth's environmental crisis--brought about by uncontrolled technological progress--is endangering life on a global scale. At the core of the threats to the planet - wars, overpopulation, pollution, and the depletion of natural resources - is the inadequacy of the nation state to come to terms with the surmounting problems of twentieth century living. What is urgently needed is the kind of international cooperation where nation states relinquish part of their sovereignty to a world body entrusted with the management of mankind's future.
Examining the movement that is ending the use of Native American names, logos, and mascots in the world of sports and beyond.
Top stand-ups and rising stars sound off on sex, parenting, politics, pettiness and more in these highlights from the Netflix Is a Joke comedy festival.
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