El final de la ofensiva

Gijón was one of the most bombed cities on the northern front during the Spanish civil war. This documentary confronts, on the one hand, the images of a propaganda video made by the rebel side in 1937, with the images of abundant graphic material of the time, which show a very different reality of the city.

Spain: A Country Divided

Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.

Return to Life

In this propaganda film intended to raise money for republicans fighting in the Spanish Civil War, Henri Cartier-Bresson first presents the achievements of the Spanish Republic in the field of public health. He then shows how members of the public and organizations across the world were supporting the fighters.

Barcellona, ferita aperta

Ordered personally by Mussolini, with the expression "martellamento diluito nel tempo", the bombings were a studied way of sowing terror, massacring citizens little by little and ending their sources of livelihood. The film provides little-known data from that episode, such as official documents that show that democratic Italy continued to receive money from Spain for its participation in the war. In 2013, the Barcelona Court accepted a complaint against the Italian pilots who participated in the bombings. The victims, for their part, are still waiting for Italy to apologize for these events.

Brigades Internationales. Entre mémoire et silence

This documentary summarizes one of the most beautiful pages of contemporary history. Thousands of women and men, some "foreigners" wrote them: the page of anti-fascist solidarity with the Spanish Republic and its victorious Popular Front in February 1936 for some, and solidarity with the "revolution" for others; both causes for most of them.

Tres días de julio

"Tres días de julio" shows what happened in the city of Cádiz in the hours prior to the coup d'état of July 18, 1936, as well as what happened until the moment the Cadiz capital succumbs to the rebels on the morning of Sunday the 19th. The documentary features the participation of historians, relatives of victims of reprisals, and even some direct testimonies of people who lived those tragic days in their youth. The city and province of Cádiz are described as a fundamental piece in the coup because, when it failed in the main cities of the country, they began to play a fundamental role in the strategy followed by the rebels in the immediate Civil War.

¡Arriba España!

Documentary about the Spanish Civil War and its subsequent consequences on the country's society, featuring testimonies from various figures, interviews, and significant photographic and audio documents.

The Moroccan Labyrinth

Fallas 37: el arte en guerra

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

Libere

Siempre días azules

Franco on Trial: The Spanish Nuremberg?

Franco on Trial is the new film by Dietmar Post and Lucía Palacios. After the success of Franco's Settlers, their first encounter with Franco's dictatorship, they are now setting their sights on one of the darkest chapters of European history: the presumed organized extermination that took place during the coup, the war, and the subsequent dictatorship led by Franco, as well as Argentina's current effort, by invoking the principle of universal jurisdiction, to prosecute Francoists accused of committing crimes against humanity. The film is also a sore reminder of an issue that still stands today: the clear-cut accountability held by Germany, Italy, and Portugal. The film accomplishes to give both sides a voice - those against whom the killing has been directed; and the side of the perpetrators.

La doble vida del faquir

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

British Paramount News No. 588

Defiance is in the air in this evocative newsreel footage of anti-fascist solidarity rallies, after the Battle of Cable Street.

British Paramount News No.251

We Protest: 80,000 descend on Hyde Park to demonstrate against Hitler’s antisemitism.

Moments of Resistance

Widerstandsmomente (Moments of Resistance) carries voices, writings, and objects from the anti-Nazi resistance into the present. Politically engaged women of today respond to historical resistance and make links to current events. A line is drawn from what was before and what is today to what might be: a society based on solidarity without discrimination or exclusion.

Spain

A feature-length documentary based on film reports from the Spanish civil war.

Spanish A.B.C.

A short film on Republican efforts to improve education standards during the Spanish Civil War.

Village of Women

Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.

Francisco Boix: A Photographer in Hell

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.