Social & External
After an extensive immersion work on abandoned childhood, Ciro Durán presents, from his point of view, the life of street children, who have broken all family ties and have regrouped to survive in the concrete jungle.
The best kept secret in American history is revealed. San Martín and Bolívar meet for the first and only time to chase the dream of a Grand Motherland.
A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.
Drivers of urban public transport in Bogotá do not receive a fixed salary¸ only a percentage per passenger picked up. Through the testimony of two champions of this daily war¸ an unpleasant daily life is shown¸ distressing and dangerous¸ both for the users and for the drivers themselves los and from which the only ones who benefit are the great transport entrepreneurs¸ true architects of a bloody war in which the State is hardly an indolent spectator.
In the darkness of a long night, the Colombian country shows another face. An invisible world takes the place of the other one. So one better stays at home and open his ears: half-human and half-beast, something is wandering in the dark. Only some people are able to face it. During her whole life, Carmen was one of them...
After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.
In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?
If you take a pinch of Khoi-San lament, a dash of Malay spice, a bold measure of European orchestral, a splash of Xhosa spiritual, a clash of marching bands, a riff of rock, the pizzazz of the Klopse, some driving primal beat, and a lot of humour and musical virtuosity, what do you get? Goema Goema Goema! Weaving together the ancient, the traditional, and the classical into the contemporary universal sound of Cape Town, Mac MacKenzie, musical mastermind and founder of The Genuines and The Goema Captains of Cape Town, puts together the final touches to the culmination of his life’s work: Goema in Five Movements. Musicians and musical commentators Hilton Schilder, Neo Muyanga, Iain Harris and Graham Arendse, and new kids on the block, Kyle Shepherd and Shane Cooper, add a contemporary context to Goema, while the orchestra rehearses for its premiere performance at the SABC studios.
The real-life story of Benjamín García, a man who dressed up as Dracula in Barranquilla's Carnival and ended up believing he was the Count of Transylvania.
Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he's gone, war has found him. After twenty years of friendship, I understood Ciro 's life sums up Colombia's history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. "Ciro and Me" is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.
Faced with his imminent death from AIDS, Colombian artist Lorenzo Jaramillo looks back on his life and work through the five senses.
The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.
From the land of narco-violence to the land of displaced persons. The documentary Guerras Ajenas ('Wars of Others') explores the consequences of the war on drugs in Colombia, and one of its main tools: aerial spraying.
An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.
Tomorrow’s Power is a feature length documentary that showcases three communities around the world and their responses to economic and environmental emergencies they are facing. In the war-torn, oil-rich Arauca province in Colombia, communities have been building a peace process from the bottom up. In Germany activists are pushing the country to fully divest from fossil-fuel extraction and complete its transition to renewable energy. In Gaza health practitioners are harnessing solar power to battle daily life-threatening energy blackouts in hospitals.
Ingrid Betancourt was the world’s most famous hostage. On February 23rd 2002, Ingrid, a presidential candidate in Columbia’s elections, was kidnapped by the left-wing FARC rebel group along with her assistant and friend Clara Rojas. She was held for over six years in the jungle. This is the first documentary account of what happened in the jungle in her words and those of fellow hostages. In a truly remarkable interview Ingrid relives stories of escape and betrayal, love and hate, terror and extraodinary courage.
Sumercé follows veteran activist Don Eduardo, rising political leader César Pachón and agricultural educator Rosita as they fight their government’s decision to allow companies to carve up the campesinos birthright in rural Colombia and the country's access to fresh water.
Camila lives her last days in the jungle as a guerrilla of the FARC-EP at the crossroads between an uncertain future of peace and the lingering memory of a childhood severely punished. Sent to a war hospital in the middle of the jungle, Camila begins a journey into her past, to the depths of an old wound that needs to be healed. A journey that ends up leading her to an unexpected reunion with her friend Ricardo, a young guerrilla recently amputated due to a mine.
The life of Pedro Manrique Figueroa, a pioneer of collage in Colombia, is both incomplete and contradictory. Taking his life and work as a pretext, this mockumentary takes the viewer on a journey through history from the year 1934 up until 1981, when the artist mysteriously disappeared from view.
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