American Journal

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.

I'm Leaving on Wednesday

Somewhere in the Balkans, in a garden hidden by a large house, a story unfolds of a great love between two young women. Neither of them wishes to accept that their relationship might ever end. What happens, then, when one day fate takes an unexpected turn? Is it possible to part so suddenly from your beloved?

Looking for Larisa

One day filmmaker Andres Pardo stumbles across 2,000 feet of Super 8 family footage at a flea market. Featured in all these 1970's home movies is a lovely young blond-haired girl, Larisa. Teaming up with a photographer friend, Pardon decides to investigate, uncovering the fascinating story behind the footage.

Night Lunch

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Lost Boundaries

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

Reflection

Eerie images of landscapes after the Fukushima nuclear disaster shot on black and white 8mm.

Maria by Callas

Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.

Cinema Now

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

Skip Liberty: Shooting in Vietnam

Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.

Selva. A Portrait of Parvaneh Navaï

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

Aznavour by Charles

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Once Upon A Time In Germany

Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.

Lentejuelas de sangre

Antonio Gracia José (1942-2011), known as “Pierrot,” was a prominent member of the Barcelona art scene, a pioneer in the filmmaking of underground short films and Fantaterror movies, writer and playwright, magazine editor, movie poster painter, cartoonist and cabaret showman.

Tove and Tooti in Europe

Tove and Tooti in Europe is a documentary charting the voyages through Europe of the world famous author Tove Jansson and graphic artist Tuulikki Pietilä during the years 1972-1993. It is a lyrical and sometimes hilarious film essay on the “old Europe”, experienced by travellers and observers, of times when people used to wander, share a joke, pause and, sometimes, even stop. Shot on Super 8 mm, the film takes us to Paris, Venice, London, Madrid and Dublin; Iceland, Ireland and Corsica.

Piaf intime

Lost Images: The Other Eye of Juan Pinzás

The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.

Crash 'n' Burn

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

Must Read After My Death

A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.

Back In My Body

BACK IN MY BODY is a short documentary about musician Maggie Rogers returning to Alaska, a place that has had a huge impact on her life.

Everyone Stares: The Police Inside Out

Stewart Copeland, drummer for The Police, compiles his Super 8 footage to offer an intimate look at what it was like to be a member of one of the most important rock bands of all time.