Social & External
Self (archive footage)
Self
What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.
This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Hot Docs will commemorate Canada's 150th anniversary of Confederation with the commissioning of In the Name of All Canadians, a compilation of six short documentaries inspired by Canada’s Charter of Rights and Freedoms. From Indigenous rights to multiculturalism to the controversial ‘notwithstanding clause,’ participating filmmakers have each selected a specific aspect of the Charter to explore, looking at how it resonates in the stories of their fellow Canadians.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.
30 years of freedom = 30 authors = 30 minutes of films. A unique project of Reflex magazine and Czech Television, which in honor of the 30th anniversary of the Velvet Revolution reflects many forms and understanding of freedom. Various personalities of the Czech cultural sphere have made their minute films.
Film composed of nine short films. Short Stories 0, was released in 1993 and did not yet have that name because they were separate shorts. It would later become the prestigious annual short film competition for directors organized and produced by INCAA.
Gottland provides an unconventional look at Czechoslovak 20th century history. Inspired by the bestselling book “Gottland” from the Polish journalist Mariusz Szczygiel, this feature-length film is comprised of short stories portraying peculiar fates. Young documentary film makers from renowned Prague Film School FAMU, inspired by the book, take a closer look at the history of post-war Czechoslovakia and Czech Republic, in order to discover new heroes and remind us of the ones that were forgotten or erased from the history.
Embark on a mesmerizing musical journey through the multi-faceted history of Korean American immigrants in Hawaiʻi with SONGS OF LOVE, a captivating reverie of song and history.
A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.
Yoo Kyung-geun, who lost her daughter Ye-eun in the Sewol Ferry Disaster, sits down at the podcast production studio. It is to meet with the bereaved families of numerous social disasters before and after the Sewol Ferry Disaster. They are Hwang Myung-ae, the mother of Han Sang-im who died in the 2003 Daegu Subway Fire, Ko Seok, the father of Gahyun and Nahyun who died in the 1999 Sealand Youth Training Center Fire, and Bae Eunsim, the mother of Lee Hanyeol who died in 1987's June Struggle. The bereaved families talk about "the life after" and their daily lives, and Yoo Kyung-geun learns to live without Ye-eun.
A documentary that reports on the the rescue failure of the Sewol incident. In the days of media control, Park Geun-hye and her government sabotaged the screening of "Diving Bell" at the Busan International Film Festival.
Anthology film made as an act of protest against Hungarian government of Viktor Orban.
Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.
Football seen through the eyes of some of the best directors of the world.
A thousand lies to conceal the truth of the Sewol Ferry. As many as 1,000 ships, 160,000 AIS data, were manipulated to hide the truth behind the sinking of the Sewol Ferry on April 16, 2014. Who are the organizers of this and why did they build a ghost ship! We must ask persistent questions. Since that day, nothing has been revealed yet. Government AIS data of a thousand lies. Now it is time for the Korean prosecution to answer.
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