Kanto, 14, a descendant of Japan's indigenous Ainu people, decides to visit a hole in the forest — a path to the other side of the world where dead people live, hoping to see his deceased father.
Social & External
Kanto
Emi
Debo
Yoshida
Okada
A history drama portraying the confrontation between the indigenous Ainu people living on Japan’s northernmost main island—then called “Ezo” and now known as “Hokkaido”—and the “sisam”, the Ainu word for ethnic Japanese.
This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.
In the 30th year, Nirasaki Den'emon established the Nirasaki Hokkaido Development Company with investment from Sonoi to build railway facilities. However, the endeavor faced criticism for attempting to buy Ainu land at low prices. Tokyo Nippo reporter Toshimasa Matsuzaka, who was actually Nirasaki's son, wants to expose the flawed practices of the company.
TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.
On the Hokkaido frontier, a war veteran and Ainu girl race against misfits and military renegades to find treasure mapped out on tattooed outlaws.
In 1986, for the first time in 75 years, the "Chironnup Kamuy Iomante (the sending off of the spirit of the fox)" was held at Bihoro Pass, in Hokkaido. According to the Ainu's traditional beliefs, animals are "gods" called "Kamuy" who live in the "land of gods" ("Kamuimosiri"), but sometimes they come to the "land of humans" ("Ainumosiri"), to offer their meat and furs as gifts. The Ainu take care of them, and they eventually hold an "Iomante (spirit sending)". In this ceremony, people offer prayers, sing songs, and dance, and send the animal back to the "land of the gods" with food and souvenirs.
Shigeki, one of the Ainu people of northern Japan, follows the traditions of his ancestors and teaches his son Motoki about their heritage. But how can old customs be revived after centuries of suppression?
The film depicts where life can begin and where it can lead for a filmmaker, and in the journey between existence and non-existence, it illustrates where the mind and heart can reach through the medium of cinema. The mentioned filmmaker, as ever, surrenders himself once again in the depths of the forest with his camera, adding a new film to his life and beliefs. For him, cinema and the life he reaches through cinema touch upon all the emotions and thoughts that can be questioned in the world where he resides and is tested by its absence. The nature he reaches thanks to this journey is something presented to him from nothingness. Unable to decide what to do with this nothingness, the filmmaker, ultimately makes a film that he can present to people with the nature bestowed upon him. The resulting film essentially belongs to a day of the man who roams in the forest and points his camera at the trees.
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