White Gold

A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.

The Cold Deck

Gambler "On-the Level" Leigh (William S. Hart) is forced to leave his high rolling lifestyle to move his ailing sister Alice (Mildred Harris) to the healing climate the mountains. Financial strain compels him to resume his favored vocation. Unfortunately for Level, the dance hall girl Coralie (Alma Rubens) doesn't take rejection well and convinces the dealer to clean him out with a "cold deck". A desperate robbery ensues, leading to Level wanted for murder!

Coyote Canyon

This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.

The Fargo Phantom

This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)

Coyote

The Poisoned Dart

Barbara was amazed when she found out that Ripley was bringing her a Malaysian cat from the Orient. But what Ripley didn't know was that he was being followed by three Malaysians. On the night of his arrival, he handed the cat into the care of the Japanese valet Tatsu. Tatsu was murdered that same night. A mysterious wound from a poisoned dart proves that the assassin was a Malay.

The Great Train Robbery

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

The Good Bad-Man

An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.

Western

A lone eagle guides us towards a secluded canyon where two gunfighters silently face-off, each waiting for an opening.

Rubber Tire Soul

2 Groups battle each other in a Tire War.

The Bulleteers

When a quirky but deadly outlaw returns to town, it's up to a masked hero to gather a group of misfits to save the townspeople from the wrath of Todd.

The Mediator

A cowboy mediator seeks to resolve a dispute between a boy and an indian.

Chilean Soul

A Chilean version of the 1915 Argentinian film "Nobleza gaucha".

The Desert Man

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

The Blood Crown

The Paleface

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

The Lone Rider

A cowboy takes on a gang of gold mine swindlers.

The Good Time Girls

A group of women band together as they go to war against a pack of men who have done them wrong at every turn.

The Gunfighter

In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.

Ride By Night

Isolated after the death of her abolitionist husband, pioneer woman Joan must decide if she'll help Martha, a former slave fleeing for her life, along the Underground Railroad. As Martha forces Joan's hand, they make their way North, leaving behind bodies in their wake.