The film told the Māori legend of Hinemoa and Tutanekai. It is the first dramatic feature film produced in New Zealand.
Social & External
Hinemoa
Tutanekai
Tiki
Ngararanui
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A contemporary story of love, rejection, and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.
Aragón, Spain, early 20th century. María del Pilar is a honest girl whose good name is dirtied when an old suitor seeking revenge accuses her of losing her virginity outside of marriage. The scandal soon spreads throughout the countryside.
Lost somewhere over the Pacific in a single-engine Cessna with low fuel, a pilot (Scott Bakula) awaits rescue.
Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.
Five years have passed and Jake has turned his back on his family. He's still up to his usual tricks in McClutchy's Bar, unaware, as he downs his latest opponent, that his eldest son, Nig, has died in a gang fight. The uncomfortable family reunion at Nig's funeral sparks a confrontation with second son, Sonny, and sets Jake and Sonny on a downward spiral.
One-time Maori speed-chess champ, Genesis Potini, lives with a bi-polar disorder and must overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself.
400 A.D., in a forgotten time of Ancient America, a lone Hebraic fugitive must preserve the history of his fallen nation while being hunted by a ruthless tyrant – but rescuing the King's abused mistress could awaken a warrior's past.
Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
Two brothers take their father into the city for the weekend for a rugby game and a night on the town. However, the old man dies in their hotel and the boys need to smuggle his body back to their farm and make it appear that he died there to satisfy a clause in his will or else they won't inherit the property.
Kye-na, an average woman in her late twenties, holds a steady job and a committed boyfriend, Ji-myoung. Yet instead of feeling content, she constantly faces uncertainty, confusion and anxiety. While struggling with personal relationships and life's woes, Kye-na finally embarks for New Zealand despite everyone’s dissuasion on leaving her home behind.
An airplane lands. A massive cruise boat anchors off the reef, disgorging tourists for tropical island vacations. This postcard paradise depends on petroleum imports to fuel its cars, motorbikes, boats, hotels, pumps and machinery. Yet if the tourists stopped coming, what then? The film opens with the prophetic words of Niuean artist John Pule and continues as a visual tone poem, without dialogue or narration, moving forward into the past to ask questions about the future. A young man travels back in time, from luxury resorts and lagoon tours through pandemic and population exodus, to early Christianity when missionaries incinerated his island’s atua and marae. Finally he reconnects with his tīpuna who settled the island a thousand years ago.
The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle—a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.
The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.
After surviving an accident, Alif, a micro-painting artist, is told by his doctor that his memory hasn’t fully recovered. When a woman claiming to be his mother comes to visit, Alif begins to sense something is wrong—he doesn’t recognize her face, and he suspects she might not be his mother.
Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.
Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.
The blood-soaked tale of a Norse warrior's battle against the great and murderous troll, Grendel. Heads will roll. Out of allegiance to the King Hrothgar, the much respected Lord of the Danes, Beowulf leads a troop of warriors across the sea to rid a village of the marauding monster.
A young hero defeats a dragon to find acceptance to the court of burgundy.
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