Social & External
The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".
A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.
Scenes from the daily life of Virgulino Ferreira da Silva—the cangaceiro leader Lampião—and his group, captured by cinematographer Benjamin Abrahão. Their survival strategies in the sertão landscape, their gestures, habits, clothing, and diet are illustrated. Proud of their status, the group's main members are shown displaying their weapons and combat skills in the caatinga. Maria Bonita and Lampião appear in moments of tension and relaxation, highlighting the harmony of the band and, above all, the rigors of life as a cangaceiro. (Cinemateca Brasileira)
After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.
In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.
This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.
On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.
Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.
A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.
Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …
A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.
Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.
'Bruce' goes to head with bandits who are terrorising and murdering villagers.
David Hammons’ singular career covers life in LA during a turbulent 1960s through to his prominence within the global art world today. Key to his work has been an analysis of African American society and its representation within US life. Featuring interviews with eminent artists, curators and critics; a wealth of archival footage; an evocative soundscape by Ramachandra Borcar that includes Marshall Allen, Idris Ackamoor and Shabaka Hutchings; and a reading by The Last Poets member and hip-hop forefather Umar Bin Hassan, The Melt Goes on Forever is a revelatory journey through six decades of art and culture.
In Venezuela, amidst a backdrop of poverty, murder, and corruption, the El Sistema youth orchestra offers children hope and the opportunity to pursue a life of art in spite of the harshness of the society around them. Yet the country’s spiraling collapse and political repression threatens the musicians’ dreams of a better life.
Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.
Short documentary on the use of the V-1 Flying Bomb during the German bombings of London.
Alan Peterson • Karma • Ryan Wilburn • Steve Bailey • Jesse Paez • Seth McCallum • Roberto Aleman • Gary Collins • Jeremiah Babb • Jub • Brian Heck • Tim Garner • Richard Paez • Jose Noro
1989 MTV Rockumentary episode about alternative rock band, R.E.M.
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