Home
Movie
Tv Shows
Anime
Sports
IPTV
Collection
AI Search
Download
Embed

Febbox Token

CinemaOS

Your entertainment hub

Trending Movies TV Shows Search

Powered byConsumet & TMDB API

Important Disclaimer

◝(ᵔᵕᵔ)◜

CinemaOS operates as a content aggregator and does not host any media files on our servers. All content is sourced from third-party providers and embedded services. For any copyright concerns or DMCA takedown requests, please contact the respective content providers directly.

Third-party ContentNo File Hosting

Built with ❤️ for entertainment enthusiasts worldwide

Così fan tutte

Così fan tutte

Share

Così fan tutte

2006

3h 30m

7.5(2 votes)

Music

Overview

Mozart's genius in setting to music da Ponte's comic play of love, infidelity and forgiveness marks COSI FAN TUTTE as one of the great works of art from the Age of Enlightenment. Nicholas Hytner's beautiful new production, with its sure touch and theatrical know-how, lives up to its promise to be "shockingly traditional" as Iván Fischer teases artful performances from an outstanding international cast of convincing young lovers.

Links & Resources

Social & External

Production Companies

Opus Arte

BBC

Cast & Crew

6 members

Acting

Miah Persson

Fiordiligi

Miah Persson

Acting

Anke Vondung

Dorabella

Anke Vondung

Acting

Topi Lehtipuu

Ferrando

Topi Lehtipuu

Acting

Luca Pisaroni

Guglielmo

Luca Pisaroni

Acting

Ainhoa Garmendia

Despina

No Image

Acting

Nicolas Rivenq

Don Alfonso

Nicolas Rivenq

Similar Movies

Verdi La Traviata

Verdi La Traviata

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

Mefistofele

Mefistofele

The director, Roland Schwab, has created his version of Hell. The set is like a high iron walled hanger and the stage is continually occupied with people who look like fugitives from Mad Max and who interact with Mefistofele. The orchestra and choir are wonderful. Rene Pape gives a nuanced interpretation with a certain amount of sardonic humour under the evil. His singing and acting are first rate, as is that of Kristine Opolais and Joseph Calleja.

Love and Bullets

Love and Bullets

A Camorra boss fakes his own death in order to start a new life elsewhere with his family, but a nurse happens to see him alive and well after the funeral. A hitman is promptly sent to get rid of her, only to find out that she's his first and unforgotten love. He decides to protect her, becoming himself a target.

Rameau Hippolyte et Aricie

Rameau Hippolyte et Aricie

Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.

Poulenc's The Human Voice / Bartók's Bluebeard's Castle

Poulenc's The Human Voice / Bartók's Bluebeard's Castle

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

Berg: Wozzeck

Berg: Wozzeck

Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century. Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'

Alban Berg - Wozzeck

Alban Berg - Wozzeck

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.

The Bleeding Nun

The Bleeding Nun

This Blu-ray is a splendid record of a creative production with terrific voices and direction, as good as the Met's videos any day. It also tends to be creepy and atmospheric, with music as good as anything Gounod wrote for his FAUST. Recommended to lovers of horror and opera!

Mose in Egitto

Mose in Egitto

This thought-provoking, modern-day interpretation of Rossini's 'Mosè in Egitto' sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro. For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini's music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist(Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh's son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten).

Turandot

Turandot

Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.

Rigoletto

Rigoletto

A Victor Hugo play, haunting and scandalous, provided the inspiration for Verdi’s mid-career masterpiece. A vengeful but misguided court jester strives to save his daughter from a duke’s licentious clutches, but can't part with the feeling that a curse looms over all of his actions. In Rigoletto, the composer introduces several of his most iconic arias and duets—as well as an 11th-hour quartet that counts among the finest moments in opera.

Don Carlos

Politics and love leads to a love triangle between father, son and stepmother.

La Bohème

La Bohème

In the 50's, in Paris, the neighbors Rodolfo and Mimi meet each other when Mimi's candle blows out in a cold and dark night. They immediately fall in love for each other, in times of financial difficulties in the post-war. Rodolfo introduces Mimi to his close friends Marcello and his beloved Musetta; Colline; and Schaunard and together they have a good-time in Café Momus. Some time later, Mimi tells Marcello that she can not support the jealousy of Rodolfo any longer and when Marcello discuss with Rodolfo, Mimi overhears the real reason for the behavior of her beloved Rodolfo.

Nabucco

Nabucco - live from Metropolitan Opera, June 2002. On its surface, Nabucco is about the epic struggle of Zaccaria and the Jews suppressed by Babylon’s King Nebuchadnezzar and his vengeful daughter, Abigaille. But to Italians fighting for their freedom from Austria, Verdi’s first great opera was an inspiring call to arms.

Delibes: Lakmé

Delibes: Lakmé

Starring the exquisite coloratura soprano Emma Matthews as the innocent girl priestess Lakmé, and superb tenor Aldo Di Toro as the love-struck Gerald, the story tackles religion and cross-cultural love against a backdrop of British rule in India in the mid-19th century. French conductor Emmanuel Joel-Hornak brings out the full depth of the lush, dramatic score, with familiar high points being the beautiful renditions of the well-known Flower duet and Bell Song. Dominica Matthews adds her rich voice as Mallika and Stephen Bennett is darkly dominating as Brahmin priest Nilakantha, Lakmés father, while Roxane Hislop is a consumate Mistress Bentson. Set and costume designs by Mark Thompson fill the stage with rich colour, atmosphere and exoticism, complemented by Nigel Levings warm lighting. This restudied production, originally conceived by Adam Cook, is skilfully directed by Roger Hodgman.

Berlioz: Les Troyens

Berlioz: Les Troyens

Berlioz’s colossal masterpiece requires stupendous forces—dozens of soloists, enormous chorus, orchestra and ballet, a superb conductor who understands the uniqueness of the score—plus a production that does visual justice to the work. “A stupendous achievement” was one critic’s assessment of Peter Wexler’s inventive production. And with James Levine’s wizardry galvanizing the marvelous all-star cast, this is truly a gem. Plácido Domingo is the legendary hero Aeneas, Jessye Norman the obsessed prophetess Cassandra, and Tatiana Troyanos is Queen Dido, who commits suicide when Aeneas leaves her.

The Metropolitan Opera: Don Giovanni

The Metropolitan Opera: Don Giovanni

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.

Puccini: La bohème

Puccini: La bohème

Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist. Jones brings a considerable break with the past in his approach, pointing the way towards thought-provoking possibilities for the work, though it is a clearly a show that defers to the need for regular revival and breadth of appeal.

Fidelio

Fidelio

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.

Die lustigen Weiber von Windsor

Die lustigen Weiber von Windsor

When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.

Recommended Movies

303

303

Two university students gain insight into life and love as they get to know each other during a road trip across Europe.

Sonic Soldier Borgman: Madnight☆Gigs!

Sonic Soldier Borgman: Madnight☆Gigs!

A music clip OVA using full versions of songs that were from the anime.

Love Meetings

Love Meetings

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Good

Good

Payton becomes the caretaker of Gregory Devereaux, a wealthy man facing his final months. As they become close, Gregory's past sins force Payton to decide between his dreams and a pregnancy that could squander them all.

I'm Your Woman

I'm Your Woman

A woman is forced to go on the run after her husband betrays his partners, sending her and her baby on a dangerous journey.

Moon Young

Moon Young

Mute Moon-young records people's faces with her small camcorder on the subway. One day, she avoids her drunk father at home and films Hee-soo who is crying over saying goodbye to her boyfriend and gets caught. The two feel some sort of kinship and become closer.

Main Hoon Na

Main Hoon Na

An army major goes undercover as a college student. His mission is both professional and personal: to protect his general's daughter from a radical militant, and to find his estranged half-brother.

In the Line of Duty 4

In the Line of Duty 4

Two detectives who are up to their necks in trouble and in each other's face, as they try to shut down a drug-trafficking scheme that could be connected with international ties to organized crime. But in the midst of their investigation, innocent immigrant dock worker Luk Wan-Ting gets caught up in the mix when he witnesses the murder of an intelligence operative and is framed for the crime.

Bo Burnham: Words, Words, Words

Bo Burnham: Words, Words, Words

Bo Burnham is back with a new one-man show full of his patented songs and wordplay, as well as haikus, dramatic readings, blasphemy, and so much more in his first hour-long special, shot live in his home town of Boston.

First Cow

First Cow

In the 1820s, a taciturn loner and skilled cook travels west to Oregon Territory, where he meets a Chinese immigrant also seeking his fortune. Soon the two team up on a dangerous scheme to steal milk from the wealthy landowner’s prized Jersey cow – the first, and only, in the territory.

12

12, is a comic parody about an office's obsession with the television show 24 as the their obsessions kick into high gear with the shows season finale approaching. Part The Office part 24, the short film mash-up introduces a novel send-up of these pop culture staples.

Summer 1993

Summer 1993

After her mother's death, six-year-old Frida is sent to her uncle's family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.

12

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

National Theatre Live: Angels In America — Part Two: Perestroika

National Theatre Live: Angels In America — Part Two: Perestroika

America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This new staging of Tony Kushner's multi-award winning two-part play, Angels In America: A Gay Fantasia On National Themes, is directed by Olivier and Tony award winning director Marianne Elliott.

The Good, the Bad and the Ugly

The Good, the Bad and the Ugly

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Everything's Gone Wrong!

Everything's Gone Wrong!

When a young diplomat manages to get the Austrian government to return the Plume of Moctezuma to Mexico for an exhibition, his life quickly falls apart.

Fast Five

Fast Five

Former cop Brian O'Conner partners with ex-con Dom Toretto on the opposite side of the law. Since Brian and Mia Toretto broke Dom out of custody, they've blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom.

Horse Girl

Horse Girl

A socially awkward woman with a fondness for arts and crafts, horses, and supernatural crime shows finds her increasingly lucid dreams trickling into her waking life.

Sugar

Sugar

Like many young men in the Dominican Republic, 19-year-old Miguel "Sugar" Santos dreams of winning a slot on an American baseball team. Indeed, his talents as a pitcher eventually land him a slot on a single-A team in Iowa, but culture shock, racism and other curveballs threaten to turn Sugar's dream sour.

Year of the Dragon

Year of the Dragon

In New York, racist Capt. Stanley White becomes obsessed with destroying a Chinese-American drug ring run by Joey Tai, an up-and-coming young gangster as ambitious as he is ruthless. While pursuing an unauthorized investigation, White grows increasingly willing to violate police protocol, resorting to progressively violent measures -- even as his concerned wife, Connie, and his superiors beg him to consider the consequences of his actions.