Social & External
Carlos
Laura
Unknown Role
A high-speed drive through the streets of Paris.
[…] A reel was shot of the Noh drama Momiji-gari (Maple Leaf Hunters, or Viewing Scarlet Maple Leaves), in which Danjuro played opposite Onoe Kikugoro V (1844-1903) as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives. (cont. http://victorian-cinema.net/danjuro)
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
Dr. Cockroach comes up with a brilliant plan to break themselves out of Area 52 – but to implement the plan, he has to trick B.O.B. into thinking it’s his birthday.
Rami Haruvi, a daring Mossad Agent, is sent to rescue the abducted US ambassador held at the state of Sugyra. If Rami fails his mission, the annual mossad vacation at "Olga Resort" will be canceled. Due to the importance of the mission, Hayim, the Head of the Mossad decides to assign Rami a new agent to his mission - the daughter of a mythological Mossad agent named Shuki, a ladies' man and Rami's role model. The two are getting into trouble both in their mission and relationship. Are the Americans good? Are the terrorist bad? Yet none of it compares to the real important question: will Hayim get his longed annual vacation at the Olga Resort?
A superstitious guy, Bien, seeks all sorts of “divine” signs that will determine his decision of asking the girl of his dreams out on a date. The fear of rejection swallows him whole, making him justify his cause to seek for more unfathomable signs. But when each sign he asks for materializes, he soon learns that he has to be careful with what he wishes.
The Driver is carrying an Asian child who has been chosen for a strange ritual. He must drive him through a dark night in the city to get to a monk's house, while eluding several American cars out to get the child.
Juma is a poor fisherman who loves telling tales. Amina is the girl who loves to hear his stories. They long to be together, but Amina's father, Ali, wants a better life for her. Ali thinks that he has found this in Yustus, a rich but self-serving young suitor.Juma must put everything on the line to save their love, but he must sacrifice more than he bargained for in order to succeed.
Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.
When you've given everything, what do you have left? After achieving his dream summit, an elite climber finds himself empty. Broken and untethered, he searches for a fulfillment more lasting than a faraway peak.
A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
Short film about the blossoming affection of an upper-class schoolboy for a girl from a different class. The film, shot by Verhoeven at the same school he attended in The Hague, is loosely based on the description of the unrequited love of Anton Wachter in Simon Vestdijk's novel Back to Ina Damman, one of the parts in the Anton Wachter cycle.
Twelve year old Ben discovers the effects of violence when he visits his Uncle Jake.
A young mortician learns that not even death can stand in the way of true love. A whimsical, gothic bedtime story filled with love, loss, taxidermy, Kung Fu, and biker werewolves.
The story follows Kurt Niles, an every day guy living in the neon-lit Halogen City. After being left dead in the streets by a gang called The Dangers, Kurt returns from his asphalt grave and goes on a bloody rampage to save the girl he loves.
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