Photographer Imogen Cunningham presents her own work in this Academy Award-nominated documentary.
Social & External
Self (archive footage)
In 1998 Marco Pantani, the most flamboyant and popular cyclist of his era, won both the Tour de France and Giro d'Italia, a titanic feat of physical and mental endurance that no rider has repeated since. He was a hero to millions, the saviour of cycling following the doping scandals which threatened to destroy the sport. However, less than six years later, aged just 34, he died alone, in a cheap hotel room, from acute cocaine poisoning. He had been an addict for five years. This is the story of the tragic battles fought by the most important Italian cyclist of his generation; man verses mountain, athlete verses addiction, Marco Pantani verses himself.
A feature-length documentary on Yvonne Bezerra de Mello, award-winning artist and human-rights activist who has gained international recognition for her work with street children in Rio. The film recounts how a woman turned her back on a wealthy lifestyle, driven into action by the execution of 8 streetkids by military police in 1993. In subsequent years Yvonne's struggle to better the lives of endangered and abandoned children has led her to found "Projeto Uere" ("Children of Light") a radical project committed to protection and education of kids who live in the streets and slums of Rio which has brought her into conflict with Brazil's wealthy elite.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.
This is the story of a year in the life of one mother whose daily struggles illuminate the challenges faced by more than 42 million American women and the 28 million children who depend on them.
A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Frank Sinatra, the greatest entertainer of the 20th century, is remembered by some of the brightest stars in Hollywood in this television memorial which celebrates his life and mourns his passing. Exclusive flashback interviews with Sinatra, his friends and his family, reveal little known facts about his overwhelming generosity and the sensationalized image created by the press. * In-depth interviews with those who knew him best... Ed McMahon, Tommy Sands, Shecky Green, Phyllis McGuire, Quincy Jones, & Betty Garrett, among others. * See highlights from some of Sinatra’s last films and farewell perfomances.
Documentary about the dancer Rudolf Nureyev.
An ambitious and wide-ranging documentary exploring Andre’s upbringing in France, his celebrated career in WWE, and his forays in the entertainment world.
Yankee Stadium has seen a plethora of legends over the franchise's storied history, but few have left a legacy as unique as Jim Abbott's. On September 4, 1993, the pitcher, who was born without a right hand, threw a no-hitter in front of the Yankee faithful. This astonishing achievement is merely one in a lifetime of perseverance, as Abbott continues to advocate for people with disabilities.
Dovzhenko and Solntseva's documentary about the Bukovina region.
Dovzhenko and Solntseva's documentary about the end of the war.
A 1943 Soviet war propaganda film by Ukrainian director Oleksandr Dovzhenko and Yuliya Solntseva. It is Dovzhenko's second World War II documentary, and dealt with the Battle of Kharkiv. The film incorporates German footage of the invasion of Ukraine, which was later captured by the Soviets.
Wartime documentary by Dovzhenko and Solntseva.
"When I first started to photograph in dark and unfamiliar places all over Singapore in 2003, I had no idea that those images I made would come to define me as a photographer. Born out of a curiosity of the unknown, as well as a young photographer’s restlessness, While You Were Sleeping grew to say as much about our country as it did of me. Eighteen years, two books and two exhibitions later, Singapore is now a very different place. Many of the locations I visited in the early 2000s, once alien, are now completely transformed." – Darren Soh, photographer
A powerful portrait of Africa's most widely acclaimed contemporary artist El Anatsui. It gives an insider's view of the artist's practice, the ingenious steps and thousands of hours of labor that convert used bottle tops into huge, opulent wall hangings.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
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