Social & External
Journaliste
Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.
Discover the untold stories of D-Day from the men, women and children who lived through German occupation and Allied liberation of Normandy, France. Powerful and deeply personal, THE GIRL WHO WORE FREEDOM tells the stories of an America that lived its values, instilling pride in a country that's in danger of becoming a relic of the past.
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.
The film documents, in an often dramatic and humorous fashion, Gray's investigations into alternative medicine for an eye condition (Macular pucker) he had developed.
What is true healing? And where does it start? World-renowned functional medicine expert Dr. Jill Carnahan draws on her own experience overcoming chronic illness and trauma, finding inspiration and healing in the darkest of times.
A look behind the scenes revealing the courage and resilience of caregivers, patients, and their families during the COVID-19 pandemic. It is ultimately a story of hope and healing.
In this documentary, experts dissect the Battle of Britain, which took place on Sept. 15, 1940 — a day that determined the fate of the nation.
As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.
Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.
Since the defeat, the Nazis, who were the masters of the occupied zone, and the French State, which had been ruling the so-called free zone since Vichy, ordered the Jews to take a census. From the spring of 1941, whether they had been French for several generations or naturalized for a few years, foreigners who had taken refuge in France or stateless people who had been driven out of their country, they were put on file, arrested or threatened at any time. Some wrote to the administration, or directly to Marshal Pétain, who seemed to them to be the last resort. These requests are called Suppliques. Men, women, sometimes children, tried as best they could, by all means, to loosen the trap. They address themselves to their executioners, but they do not know it.
On April 30, 1945, while the Russian Army surrounded Berlin, Hitler committed suicide in his bunker. His body was discovered a few days later by the Soviets. He would be positively identified after a top secret inquest in which Hitler's personal dentist would play a central role. And yet, at the same time, Stalin publicly declared that his army was unable to find the Führer's body, choosing to let the wildest rumors develop and going so far as to accuse some of his Allies of having aided the monster's probable escape. What secrets were hidden behind this dissimulation? What happened then to the two ladies involved in the identification of Hitler’s body?
An immersive documentary about four nurses working in retirement houses in Alzheimer units. Near to Claire, Luca, Antoinette and Lika, we discover how the nurses work, how the care is possible, with patience, ability, intelligence, tenderness and love.
Adolf Hitler's Nazi megalomania knew no limits. The most daring of his plans World War II involved German fighter planes crashing into Manhattan's skyscrapers as living bombs, like the Japanese kamikazes. Hitler understood the huge symbolic power of Manhattan's skyscrapers. He believed suicide bombing would have a devastating psychological impact on the American people and the U.S. war effort.
In 1944, two prisoners miraculously escaped from Auschwitz. They told the world of the horror of the Holocaust and raised one of the greatest moral questions of the 20th century.
From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.
The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.
Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.
Made refugees by the war in Ukraine, Olga and her granddaughter Milana travel to a summer camp in the Austrian Alps to test the limits of their own bravery, and to strengthen their growing bond.
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