Sanford Urethra visits Dr. Zabar.
Social & External
Sandford Urethra
Dr. Zabar
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A documentary that carefully explores the sensitive topic of mental health among young people, challenging social stigmas and dispelling common misconceptions often linked to the issue.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.
Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.
Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
After a sleepless night Lara steals her husband's phone to make a call. When she's not met with the reception she expected, things take an even darker turn.
The first human being follows a psychedelic path down to understand fundamental awe, the fear of god and the unspoken pain, that holds him captive.
Chandru's friends make fun of him as he does not have a girlfriend. He points out at a girl claiming that she is his girlfriend, due to which a number of unfortunate events take place in her life.
How can one talk about death without showing the dead? Or, experience suffering without seeing the wounds? A possible answer is found in Amer & Nasser, a video-gram excerpted from a documentary on the 1991 rebellion of Iraqi people, which turned into a bloodbath: the slow pace of the images allows us not really an observation, and investigation, of the two martyrs identity, rather it poses the questions: Why did it all happen, and Where were we? The two blindfolded faces apparently emanate serenity and resignation, but they also hide a terrible anguish. The slow pace of time, This Time, marks the steps of the sentenced ones, and the pushes and shoves of the soldiers, like it had lost its way. The slowing-down of the movement leads the mind’s way into the maze of the afflicted soul. In front of the camera-spectator, the passage of the brothers led to an army truck, while a flute announces the imminent trespass of life into death, looks like one towards the unknown.
Late in the Civil War, three Confederate soldiers escape from a Union prison camp in Missouri. They soon fall into the hands of pro-Confederate raiders, who force them to act as "outriders" (escorts) for a civilian wagon train that will be secretly transporting Union gold from Santa Fe, New Mexico, to St. Louis, Missouri. The three men are to lead the wagons into a raider trap in Missouri, but one of them starts to have misgivings....
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...
Just after the Civil War a Texan and his men are fighting a ruthless Commissioner and his excessive taxes. After a Lieutenant is falsely accused of a pay wagon massacre by the Commissioner's men, he deserts the Army and tries to clear himself. At first he belives the Texan was behind the massacre but then learns it was the Commissioner and joins the Texan in his fight.
Living in a small rural town, with little available emotional help around her, a young woman returns for a visit to her therapist. She finally receives a profoundly symbolic message, guiding her to find answers and solutions while living in a toxic relationship.
After seeing a suggestive fossil of two dinosaurs "getting it on," an anxious father tells his curious son a series of little white lies to avoid having "The Talk."
A man, who lives alone in his apartment, finds his ideal woman while going to the symphony. He dates her and brings her to his pad, only to find out she came to the symphony on a ticket she got from a co-worker.