Best of Three

Life is what we don't want it to be.

Sou Jazz

Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.

REEXISTIR

A documentary web-series that presents experiences and resistance in the fight stories of the LGBT community. These stories are told in order to generate more empathy and compassion among people inside and outside the community, and especially, to bring a message of hope, strength, and resilience to all LGBTs, encouraging us to keep our heads up and continue to resist.

Medo de Sobrar, Medo de Sonhar

Perspectiva (Versão da Diretora)

Reminiscence: A Life Through the Lens

A visual essay on the stimuli that draw a bridge to past memories of my life; a real documentary about where I was and where I am, what I did and what I do; a reflection of the person I was and continue to be.

Aroak

Nana Chela

VIDA URBANA

O Homem Que Escrevia Notas de Falecimento

Desejo Sintético

dadme la muerte que me falta

Muerte Clínica

Pessoas São Prédios

In a Porto Alegre swallowed by real estate speculation, elderly residents begin to disappear without explanation. As new buildings rise at a frightening pace, a woman finds herself facing a truth no one else seems to see.

86 Bilhões

Fiado Só Amanhã

Sigui 1967: L'enclume de Yougo

Beginning of the sextenary festival of the Sigui among the Dogon of the Bandiagara cliff in Mali. This first ceremony takes place at the village of Yougo Dogorou. The men, shaved and dressed in ritual clothes of the Sigui, enter the public square dancing the snake dance. They honor the terraces of the famous dead of the last sixty years and go to drink the sacramental millet beer.

Sigui 1970: The Clamours of Amani

The fourth year of the Sigui ceremonies, celebrated every sixty years by the Dogons of the Bandiagara cliffs, Mali, takes place in the village of Amani.

Sigui 1972: The Loincloths of Yamé

The sixth year of the Sigui ceremonies, celebrated every sixty years by the Dogons of the Bandiagara cliffs, Mali.

Working to the Beat

A group of women is pounding millet to the rhythm of a song, a farmer is hoeing his field in tempo, and a man is dancing to the sound of drums during a ritual of possession. Those are scenes taken from previous films by Jean Rouch. The three sequences illustrates in their own way the importance of song and music in everyday life in Niger, whether in everyday chores, in working the land or during rituals.