Skinhead Attitude

Outlines the history of 40 years of the skinhead subculture, beginning with the most recent versions of the culture.

Skæve dage i Thy

Documentary about the construction of Thy Lejren in 1970 - an alternative summer camp. Features concerts by bands such as Gasolin' and Gnags.

Forest for the Trees

Award-winning war photographer Rita Leistner goes back to her roots as a tree planter in the wilderness of British Columbia, offering an inside take on the grueling, sometimes fun and always life-changing experience of restoring Canada’s forests. Leistner, who has photographed some of the world’s most dangerous places, credits the challenge of tree-planting for her physical and mental endurance. In Forest for the Trees, her first feature film, she revisits her past to share the lessons she learned. The film introduces us to everyday life on the “cut-block” and the brave souls who fight through rough terrains and work endless hours to bring our forests to life. The rugged BC landscape comes to life magically in Leistner’s photography, while the quirky characters and nuggets of wisdom shared around the campfire tell a sincere story of community.

Tokyo Techno Tribes

Japanese cyber youth cultures have developed through the imaginative and novel use of technology. Underlying social, cultural and economic trends are examined such as Japan's unique, isolated island culture, the post-economic boom recession and changing attitudes towards the role of the corporation in work and career attitudes.

Made With Love

A short film depicting the universality of life, growth, and how beautiful life is to simply exist. The film shows how beautiful it can be when we show tenderness & love for one another, through the narration & home movies of four sisters & their mother from when they were born up to the present. The film was made over 18 years on The Australian Coast.

H.A.G.S. (Have a Good Summer)

A portrait of growing up told through filmmaker Sean Wang's middle school yearbook. Go Hornets.

Art as a Weapon

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

But Beautiful

In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.

Slowburn Shoot

Documentary that goes behind the curtain, exploring the intimate relationships and untold stories that shape the pro wrestling industry.

Who Is Haoran?

A group of small-town boys has prepared to beat up on this boy named Haoran for a long while. Belligerent and energetic. They tried every trick to catch him in vain including hunting him in the classroom and ambushing him on his way home. These little rebels fooled around each day, smoking, running away from their homes, and chasing after an impossible target. But who is this mysterious Haoran?

Polvere in Sala

Let the Child Be the Guide

As a young father, watching his daughter go through her life experiences, film director Alexandre Mourot discovered the Montessori approach and decided to set his camera up in a children's house (3 to 6 years of age) in the oldest Montessori school in France. Alexandre was warmly welcomed in a surprisingly calm and peaceful environment, filled with flowers, fruits and Montessori materials. He met happy children, who were free to move about, working alone or in small groups. The teacher remained very discreet. Some children were reading, others were making bread, doing division, laughing or sleeping. The children guided the film director throughout the whole school year, helping him to understand the magic of their autonomy and self-esteem - the seeds of a new society of peace and freedom, which Maria Montessori dedicated her life work to.

I forgive you, Mama

Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.

That Kid

A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.

I Love You I Miss You I Hope I See You Before I Die

A harsh and dreamy story of a young girl from the American West and her longing heart. Through Betty we experience a tight family clan of children born by children born by children where love and dependency go hand in hand.

Style Wars

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

James May: My Sisters' Top Toys

James May celebrates the toys that made his childhood hell as he opens the lid on his sisters' toy box. Sandwiched between elder sister Jane and younger one Sarah, many of their favourites he couldn't understand - or stand the sight of - or see the point of.

The Pleasure in Pain

A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.

Welcome Home Freckles

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Hey Sweet Pea

Parental ageing and an existential wave collide in fun and surprising ways in the suburbs of LA. Dislocated B-roll, meandering voicemails, and readings from the 1984 children’s sci-fi movie The Neverending Story combine to situate our collective grief in the hazy mundanities of everyday life.