The movie tells the story of how movie theatres can be an escape from the outside world.
Social & External
Vir
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
In the midst of the wave of violence in Mexico in 2014, Franco, a high school student, envisions through a screenplay the possibility of creating absolute peace in his city. Alongside his friends, he embarks on a mission to save his father from an unpredictable assault.
The duty manager of a seaside cinema, who is struggling with her mental health, forms a relationship with a new employee on the south coast of England in the 1980s.
An observation of daily life from the perspective of a cinema employee together with the imagination and power of cinema.
Join the crew of a traveling pharma-cinema troupe as they go on the road to spread the joy of live-dubbed movies, all while overcoming difficulties, deceits, and reaching for their dreams.
When his girlfriend leaves for New York City on a 3-month-long internship, a strongly opinionated Berkeley arthouse movie theater manager begins exploring life as a bachelor.
Antoine - a grieving loner - spends his days in a cafe on Place Clichy watching people. Every day, he sees a woman he calls Albertine get out of the subway and go to the movies. Today, he takes it upon himself to talk to her. Thus began Antoine's down-going.
Trailer narrates the elaborate fiction of a young man—perplexingly named Alfgar Dalio--who unexpectedly discovers the story of his birth parents while visiting a rundown movie theater in Ohio. In the movie "trailer," he hears the bizarre tale of two long-lost cinema stars stranded by plane wreck in the jungle, and realizes he shares a name with an obscure, now-extinct Amazonian moth. Intuiting that this link holds the key to his origins, Alfgar must navigate a slippery, revelatory, and almost magical realism in which his own truth is both excavated and explored.
In a remote and seemingly peaceful province of Ilaya, there lived two teenagers who explore their lives as the world around them grows darker.
Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.
Layar, a popular film star who feels bored with his career wants to make a musical theater set in a family history that is always linked to Indonesian film history.
Bea is an immature 16-year-old girl who lives with her mother in a suburb of a big city. One day a mysterious 7-year-old girl named Candela appears. From then on, Bea's life will change, maturing and beginning a strong relationship between the two. But, who is Candela?
Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
A Hollywood filmmaker (Mike Jittlov) makes a short for an evil film studio. Unbeknownst to him, the producer has placed a bet of $25,000 that he won't come up with anything with a use. Luckily, our film creator gets the help of his friends.
When returning to his hometown with his ill mother, Marlombrando meets again his father and the Drive-in cinema where he spent his childhood. Almeida keeps the cinema functioning with the assistance of only two employees: Paula, who takes care of the projection and the snack bar; Jose, an old friend of Almeida, who helps selling tickets at the cashier and cleaning up the place. The arrival of Marlombrando and the demolition threatening of the Drive-in will bring new directions to their lives.
Torn between the desire to protect his little brother in a violent world and the longing for the utopia of a queer community, Hector (23) embarks on a journey between reality and fantasy to reflect on his own experience of violence and to find closeness to his brother again.
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