Piece composed of four short films of different nature where the motif is the woman.
Social & External
María Araque
Mujer 1
Mujer 2
A documentary about the sea and memory. Its movement is its form. Its strength.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.
The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.
Amid Guanajuato's vibrant streets, an aging filmmaker becomes a modern Don Quixote, joined by a spirited young animator as his loyal Sanchia. Together, they navigate themes of mortality, unfulfilled dreams, and the fragile line between madness and clarity, uncovering the transformative power of light, art, and the landscapes that shape our souls.
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.
Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.
During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.
Life is what we don't want it to be.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching and the sun is setting later and later. Alberto entertains himself by playing with the light, the shadows and the nooks and crannies they leave on the living room. Sara goes out on the balcony in the evenings and examines the neighborhood with her camera. When they are in bed, they talk about what worries them. About job expectations. About being creative and why keep trying, if someone else has done it before you. About living in confinement, but at the same time, realizing that things haven't changed as much as they seem.
The long dead ghosts of celluloid are coming back to haunt the digital space.
“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.
Family man Poul Berg is tempted by a questionable investement offer and indebts himself to a point where suicide seems like the only way out. His widow struggles to maintain even a simple standard of living for herself and their three children, who are fatally marked by their fathers deed. (stumfilm.dk)
Smokey - Chris Norman - Time Traveller Tour Live In Concert (Live in Germany) (2011)
A documentary covering pre-production topics like suit design and construction, storyboards, animatics, and pre-viz, sets, working in the suit, casting, rehearsals, and preparation, and the start of the shoot. From there we look at performances, locations and production design, stunts, hardware and practical effects, and various sequence specifics. Finally, the program goes through post-production at Skywalker Ranch, the titles and a few visual elements, and wrapping up the flick.
Popeye drops a TV off at the orphanage; the program that comes on is a boxing match he's supposed to be in, so he dashes off. The fight is against the champ, who is huge. Popeye gets pummelled in the first round, but his fighting spirit materializes and advises him to outwit his opponent. In the second round, he does so. The champ then uses a light socket to "burn out" Popeye so he can't outthink him, and (as with the rest of this pun-filled match) "knocks him cold", turning him into a block of ice. The orphans feed Popeye his spinach right through the TV set, and he comes back to knock the champ through the screen.
In a secondary school, a group of students (Maria, Sonia, Paula, Pol and Esteban) form a tight-knit bunch. Axia, a girl obsessed with supernatural issues, leaving them mesmerized and included in the group. For the 50th anniversary of the center, start some work on improving the facilities. Laura, the tutor of the course offers students a work of the institute history. As they investigate they discover that, during the Civil War, there were tunnels collapsed, leaving people buried who were hiding there, including several children. According to information obtained on the Internet, people are buried "appear" killing. Are the "E.S.O. (Hidden supernatural entities "). When they decide to enter the tunnel adventure turns into a nightmare.
The third part of Seventh Company adventures.
A grieving young inventor finds solace in repairing an antique typewriter.
Filmed at the Chaplin Studios, Los Angeles on January 22, 1917 -- this footage was intended as a promotional film to help raise funds for the "British War Loan Bond Appeal Drive" (in addition, Lauder established the Harry Lauder Million Pound Fund for wounded soldiers and sailors in September 1917). The film was never completed or released at the time.
The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Barbie as Odette, the young daughter of a baker, follows a unicorn into the Enchanted Forest and is transformed into a swan by an evil wizard intent on defeating the Fairy Queen.
This is yet another telling of the adventures of Tom Sawyer and Huckleberry Finn as the two try to clear their friend Jim of murder charges.
A Kuwaiti comedy play that talks about the period that followed the liberation of Kuwait from the Iraqi invasion. The play cynically dealt with the issue of women entering the political battlefield through Umm Ali (Ansar Al-Sharah) mother, wife and housewife who decides to run in the parliamentary elections and faces many problems and strange situations .
The bungling inspector Cruchot finds himself trying to save the residents of St. Tropez from some oil-drinking humanoid aliens. The only way to tell the aliens from the real people, besides their constant thirst for oil-products, is that they sound like empty garbage cans when you touch them. Chaos is ahead.
Since the rise to power of Hindu nationalists in 2014, India has been gradually moving away from democracy towards a regime where ethnic identity prevails. This transition is driven by Hindutva, a Hindu supremacist ideology embodied by Narendra Modi. For the past 10 years, Prime Minister Modi has relentlessly pursued his fascist policy based on Hindu supremacy. This ideology of hatred towards other religions in the country, particularly Islam, has also spread globally. Those who follow this belief want India to be only for Hindus, treating people of other religions, like Muslims or Sikhs as second-class citizens. Attacks against Christians have surged by 400% since Modi's election, accompanied by discriminatory laws targeting Muslims and widespread lynching incidents. Hindutva's influence permeates all levels of Indian society. This documentary thus unveils a darker side of India, far from its portrayal as the world's largest democracy and Gandhi's dream of peace among communities.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
Strong and independent Eliza works as the Polish teacher in a village school and begins an affair with local delinquent Stach. They have a child out of wedlock. When Stach is sent on forced labourer in Germany, Eliza and her child set off on an epic journey to be reunited with her lover.
Join all your pals from the Hundred Acre Wood as they laugh, play and learn important lessons in four enchanting adventures. First, Piglet feel like A Very, Very Large Animal when some little ants make him their big hero. Then, Rabbit learns you can also trust your pals in No Rabbit's A Fortress. In Stripes, Tigger realises his friends like him for what's on the inside when he loses his stripes! Finally, a friendship grows stronger when Tigger thinks Rabbit's helping him train to be a better bouncer in Tigger's Shoes.