Social & External
Davi F.
Souza
Matheus
Ribeiro
Paula
Fernanda
Ana
Letícia
Cauã
Cara da Bomba
Liam, an 18-year-old grappling with unrequited love decides he is going to eat a slug to impress a girl. He is interrupted by Mandy, a masked middle-aged woman who emerges from a rattling old fridge. Mandy claims to be Liam's wife from the future, urgently pleading with him to avoid eating a slug he found in the garden. Mandy reveals that the slug harbors a deadly parasite that will paralyze Liam for 17 years, derailing his life and leading to their eventual meeting in a rehab center. Despite his initial disbelief and mockery, Liam's curiosity and fear gradually give way to a reluctant acceptance of her bizarre story. Mandy's desperate bid to save Liam from a tragic fate culminates in a heartfelt connection. Her mission, however, also carries a poignant consequence: ensuring Liam's safety means erasing the future where they fall in love.
Sandy is a drama school graduate and has asthma. Tonight she will be performing at the theatre. Before that, she has to teach a yoga class, work as a clown and go to an audition. In this equation, she somehow has to try and fit in Spiros, her boyfriend.
When a great film director accepts an Academy Award, he reflects on a comedian he worked with in the early film days, owing his success to him, not realizing that man is now destitute, watching the show on TV from a barstool. Part of the Screen Directors Playhouse series, sponsored by Kodak, and in association with Screen Directors Guild.
“In This Moment” follows Love, a trans woman navigating the complexities of polyamory and self-discovery in a world that often challenges her right to exist. As she unravels what it means to be truly seen and cherished, she confronts the ways love manifests—fluid, unpredictable, and boundless, much like the ocean itself. This story is a testament to resilience, intimacy, and the ever-shifting tides of identity and belonging.
A remote control changes a man’s life.
When a pest control company is on the verge of collapse, it is up to the boss to figure out who is to blame.
Calvin, a millennial burnout, wakes up hungover on his couch to his estranged mother, Bambi, standing over him before strapping a brick of cocaine to his chest and sending him on a strange odyssey.
A nightwatchman who works at a pesticide plant manipulates chemicals (of which he treats a strange garden of marrow-like vines in his apartment) , causing evolution to accelerate, in this short illustrating the harmful effects of human interference with nature.
In a mix-up, Tamara, an axolotl puppet, is forced to recover her mother's necklace from the least expected place.
Tito, a determined manager, sets his sights on marrying Tirza, but her father's unexpected question triggers his deepest fear: circumcision. Facing a daunting dilemma, Tito embarks on a slapstick quest to overcome his fear, leading to a sidesplitting journey of absurd antics and unexpected revelations in his pursuit of love.
After receiving his first communion, Pablo can’t stop thinking about Sebastián, the beautiful altar boy.
James Parrott joins every lodge in town to get in good with people as he tries to sell his fire extinguishers.
The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division, in 2012.
In this Our Gang film, James Finlayson plays the gang's schoolteacher who takes the kids to Europe after winning a local contest. He takes them on a tour of Naples, Pompeii, Rome, the Vatican, Venice, London, and finally Paris, where problems arise on top of the Eiffel Tower.
Dummy Ache is a 1936 American short comedy film directed by Leslie Goodwins. An assuming husband, suspicious of his wife, follows her for the day. Misunderstandings, mishaps, and hijinks ensue. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.
Joe Cobb is a wealthy child who longs for a baby brother. His nursemaid takes him to the other side where he meets some kids his age (the rest of Our Gang) where Joe offers three dollars for a baby. Farina finds a fellow African-American neighbor woman who lets him mind her infant which he then paints white and sells to Joe. The rest of the gang has set an assembly-line system that washes, dries, rocks, and feeds male and female babies.
A Pete Smith Specialty short on saving an important dinner after the household's cook suddenly quits.
It's the Fourth of July and the mother of Our Gang member Joe Cobb is doing a brisk business at her fireworks stand. Briefly left in charge of the stand, Joe does his best not to blow up himself or his friends, but a poorly-aimed skyrocket owned by Allen "Farina" Hoskins triggers a somewhat premature but undeniably spectacular display of pyrotechnics.
A little entry from the RKO shorts department serving also as an audition-type (stick 'em in one of these and see if they appeal to a real audience, and make a buck or two at the same time)film for studio contractees and budding starlets. And, surrounded and supported by veteran character actors, such as Jack Norton, Jack Rice and Harrison Green, the likes of Tony Martin, Phyllis Brooks and Lucille Ball usually looked pretty good. And soon made for themselves, with studio help, rather nice Hollywood careers.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
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