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During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.
Rehearsals for a fundraising gala become the arena for a struggle between two men; one, the gala director and the other, a richly talented but unstable rock drummer. As their battle for expression and control escalates against a relentless rhythmic backdrop, their public and private selves explosively collide.
Past her prime and afflicted with a severe case of writer's block, a veteran songwriter finds new inspiration in a bird that takes up residence outside her home.
This is a collection of Metallica's videos ending with those shot for St. Anger.
A running feud between Star Trek actors Brent Spiner and Levar Burton is the basis for this TV comedy pilot.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Katie is a dog loving foodie who is very content with her single life. Soon, she finds herself being pressured to find love. Meanwhile, Chris, the delivery boy just wants to get her attention. Will Katie find someone who will love her for who she is? Will Chris finally win her over?
Freddie Mercury lives again in this compilation of his best solo material. Included are the live and studio versions of 'Barcelona', Freddie's smash hit rendition of 'The Great Pretender' and 'Living On My Own'.
A sheltered boy with a dream of starring on Broadway survives day-to-day life by imagining the world as a musical.
A look at Depeche Mode's final moments of their 2017 Global Spirit Tour, featuring intimate stories from select fans.
Grammy-winning rock group Evanescence performs live at the Zenith in Paris, France on May 25, 2004. The set list includes: "Haunted," "Going Under," "Taking Over Me," "Everybody's Fool," "Thoughtless," "My Last Breath," "Farther Away," "Breathe No More," "My Immortal," "Bring Me to Life," "Tourniquet," "Imaginary," and "Whisper."
Two performances by noisecore act Sissy Spacek, one from The Leathershop in Lima, OH, and another in Minneapolis, MN, processed with analog video equipment.
Recorded live at the Coconut Grove in Los Angeles, Roy is joined by an eclectic ensemble of rock and roll superstars including Jackson Browne, Elvis Costello, T-Bone Burnett, J.D. Souther, Jennifer Warnes, k.d. lang, Bonnie Raitt, Bruce Springsteen and Tom Waits.
Walter Winchell meets a budding country journalist and shows her around the Biltmore Hotel.
An attractive montage of a vivid and often tense highlights from the soccer field ... Headers, fouls, dribbling, runs, goalmouth dramas are juxtaposed, slowed down, repeated and at the same time embellished acoustically in such an apt and lively manner by the music of the leading German jazz and rock guitarist Volker Kriegel, that even the viewer spoilt by live soccer will enjoy seeing it. The artistes of the bid ball become leading dancers at the penalty mark. Slow motion, animation, modification or restriction of color further lend emphasis to the close interaction with the musical movements, achieving a positive unity, regardless weather attention is focussed on the goalkeeper, on team play, on vigorous tackling or on goalmouth excitement, which are all synchronized in sequence form with the musical sections. The film contains extracts from 13 first division soccer games in Germany. –Joachim Kreck
1. In the Flesh - 2. X Offender - 3. Denis – 4. Detroit 442 – 5. (I'm Always Touched by Your) Presence, Dear - 6 . Picture This - 7 . Hanging on the Telephone - 8. Heart of Glass - 9. Dreaming - 10. The Hardest Part - 11. Union City Blue - 12. Atomic - 13. The Tide Is High - 14. Rapture - 15. Island of Lost Souls - 16. Maria - 17. Good Boys
A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.
Cab Calloway and The Cabaliers are singing about how The Big Bad Wolf only talks about his Disney money, Felix the Cat is fat and rich, and Mickey the Mouse is riding in his motor car, while the skunk moans about how "nobody loves me" on account of him just being a "dirty old skunk".
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