The Metropolitan Opera: Don Giovanni

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.

Romeo and Juliet

Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.

The Phantom of the Opera

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Děvče z předměstí

Verdi La Traviata

This DVD of a live 2005 performance from the Zürich Opera under the musical direction of Franz Welser-Möst has many things to recommend it -- the young tenor Piotr Beczala as Alfredo, the marvelous Thomas Hampson as Giorgio Germont, the playing of the Zurich Opera orchestra, the simple but effective sets by by Erich Wonder, the uncluttered stage direction by Jürgen Flimm. It also has some flaws: strangely variable volume level of the recorded sound sometimes coming on so loud as to make one reach for the volume control, and the uneven performance of the Violetta, Eva Mei who, for all her merits, gives a dramatically effective performance marred by occasional difficulties with vocal production. Still, overall I felt this was a moving production, one that I would recommend, although perhaps not as an only DVD of one of Verdi's most popular operas.

Beat the Band

Singer Ann wants back her money that the manager of a big-band has embezzled.

Amadeus

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Noc na Karlštejně

A little-known adaptation of Jaroslav Vrchlický's play is returning to the television screen, full of humorous plots, telling the story of the courage of two women in love who, because of their love, infiltrated Karlštejn Castle, where women are forbidden to enter by order of the monarch. It was created with a number of star actors eight years before the now legendary film adaptation by Zdeněk Podskalský. When it premiered in 1965, it aroused a stormy, positive and negative response. Quite naturally, because Filip's concept of this classic play, albeit in the authentic setting of Karlštejn Castle, was completely new and unconventional at the time. This adaptation of the classic original uses the melodies of popular Czech and foreign hits with lyrics by P. Kopta. For example, the ruler's arrival at the castle was announced by the melody of the popular song Jó, třešné zrály. However, professional singers mostly sing for the actors here.

Khanuma

Prince bon-vivant Levan Phantiashvili finds himself in a difficult financial situation. To make his life better he agrees to marry the merchant Adam Varakhidze’s daughter, Elo. The merchant is happy for this move opens the door in a high society for him until he finds out that Elo is not quite happy with his decision.

Rakovina vůle

An interesting look at love destroyed by the demon of drugs, which uses opera singing instead of spoken word. A story about the relationship of two young people and drug addiction.

Cavalleria rusticana

Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.

Artaserse

Live broadcast of the opera performance held on November 10, 2012 at the Opéra national de Lorraine in Nancy, performed by five world-class countertenors.

Puccini: Turandot

Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.

The Piano Lesson

A brother and sister's battle over a prized heirloom piano unleashes haunting truths about how the past is perceived — and who defines a family legacy.

Kiss Me, Kate

Recorded from the West End, Kiss Me Kate follows a pair of divorced actors brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

American Son

Time passes and tension mounts in a Florida police station as an estranged interracial couple awaits news of their missing teenage son.

After the Fall

Adaptation of Arthur Miller's semi-autobiographical play about Quentin, a Jewish intellectual from New York who must reexamine his life and his troubled relationship with Holga.

The Metropolitan Opera: Idomeneo

Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.

The Metropolitan Opera: Eugene Onegin

Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.

Der Rosenkavalier

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask