The Concavenator Valley

Three researchers work on a paleontological project focusing on two dinosaurs: one fictional, the one created by special effects genius Ray Harryhausen for the film The Valley of Gwangi (1969); the other real, the Concavenator corcovatus, whose remains were discovered in 2003 at the Las Hoyas site, in the province of Cuenca (Spain), very close to where the filming took place.

Artist on Fire: Joyce Wieland

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her homeland, feminism, and ecology. Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter, collagist, quilt maker, and filmmaker. In the early '70s, Wieland was involved in filmmaking, producing movies with a political message. In her 30-year career, she worked in a variety of mediums, including cloth, pastels, colored pencil, oils, bronze, and watercolor. Her works and her influence are examined in this detailed video portrait.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Religulous

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

Glories of Medieval Art: The Cloisters

Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.

Trick or Treaty?

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

The Vatican Museums

Originally produced in 1997 on the threshold of the Third Millennium of the Christian Era, and in celebration of the Jubilee of the Year of Our Lord 2000, The Vatican Museums was the culmination of three years of research and filming, the collaboration of thirty-two scholars and historians from around the world, a crew of forty directors of photography, operators, and lighting technicians, state-of-the-art digital cinematography, lighting, animation, and computerized editing, and the work of a famous composer with original performances by master musicians. Now available on DVD for the first time, this historic three-disc collection features seven hours of magnificent documentary film that illuminates and chronicles the great journey of the human spirit. Here then is the world's most spectacular and sacred repository of art, history, and faith.

Ice-Breaker: The '72 Summit Series

September 2022 marked the 50th anniversary of the Summit Series, the iconic hockey tournament that pitted the best players from Canada against the best from the Soviet Union. This documentary enlarges the canvas to tell the story from the unique perspectives of a diverse group who are rarely, if ever, heard: diplomats, NHL hockey legends, Soviet players, journalists, fans, broadcasters, business leaders and Team Canada’s Chairman – all reveal untold stories about what happened before, during, and after September ‘72.

Declutter

One Saturday morning, filmmaker Madison Thomas has a revelation: she’s just like her mother. As she thinks about a friend going through tough times, she feels the sudden urge to clean. Through the scrubbing and wiping and rinsing, Madison's thoughts drift to her mother — and her obsessive need to tidy. Madison’s mother survived a traumatic childhood: her own mother never reconciled what she went through at residential school. Cleaning offers moments of control that she didn’t have as a child. She’s fought hard, against all odds, to become a strong woman. They say trauma is in the genes, that it’s passed from one generation to the next. But strength is inherited too. Through rituals as simple as spending time together and smudging, Madison and her mother are beginning to mend the cycle of pain in their family. Declutter is an intimate look into a private moment between mother and daughter and the strength that carries them both.

Momias De Quinto

Fifteen naturally mummified bodies were found during the excavations of 2011 in the old church of El Piquete, —a building that suffered almost total devastation as a consequence for being a refuge for civilians during the Spanish Civil War—, this discovery allowed the creation of the Museum of the Mummies of Quinto where this collection with unique characteristics in Spain is exhibited thanks to the research of historians, scientists, bio anthropologists and archaeologists.

Karihwanoron: Precious Things

Yagorihwanirats, a Mohawk child from Kahnawake Mohawk Territory in Quebec, attends a unique and special school: Karihwanoron. It is a Mohawk immersion program that teaches Mohawk language, culture and philosophy. Yagorihwanirats is so excited to go to school that she never wants to miss a day – even if she is sick.

Trans-Canada Journey

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

40 Under 40

Some of them move. Others make noise. One weighs in at 700 pounds. Collectively, they represent the future of contemporary craft. Go behind the scenes of the "40 under 40: Craft Futures" exhibition, featuring traditional and non-traditional works of decorative art created by the top 40 American craft artists under the age of 40. Observe this wildly creative and diverse exhibition, assembled for the 40th anniversary of the Smithsonian American Art Museum's Renwick Gallery, and witness the challenges and rewards of bringing together 40 unique artists at the top of their craft.

Once Again... (Statues Never Die)

An immersive installation by the artist and filmmaker. "Coda" to Looking for Langston.

Aapje Aram

The Whale and the Raven

Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.

Foster Child

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

Wide Boyz II – Slender Gentlemen

After their success climbing the world’s hardest offwidth, the Wide Boyz, Pete Whittaker and Tom Randall, embark on their next crack climbing mission. This time their sights are set on the thinner end of the crack climbing spectrum. Their goal is the mighty Cobra Crack in Squamish BC, considered to be the hardest finger crack in the world. First climbed by Canadian ‘rock star’ Sonnie Trotter after battling it out with Didier Berthod, the route hit the media spotlight in the film First Ascent. With no local hard cracks to train on, the Wide Boyz refit their underground training dungeon and commit to a year of torturous finger training. With only a short trip to Canada planned, the Boyz face their biggest challenge yet against the sharp granite bite of the mighty Cobra Crack!

The Dionne Quintuplets

In 1934, Elzire Dionne delivered five identical girls. The Dionne Quintuplets follows Cecile, Emilie, Marie, Yvonne and Annette through twenty-one years of strange upbringing. When the girls were just infants, the premier of Ontario issued a court order removing them from parental care. Cut off from the world and their family, over-publicized, viewed twice daily in a special viewing compound, they grew up as prize exhibits. Director Donald Brittain uses old newsreel footage, home-movie sequences and interviews to depict a historic event that became a tragic exploitation of a family.

Traces: The Kabul Museum 1988

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.