Explores the history of the Afrikaners and Afrikaner nationalism, and the development of apartheid and its relevance to South Africa's political situation today.
Social & External
Narrator
Self
The struggle to eradicate apartheid in South Africa has been chronicled over time, but no one has addressed the vital role music plays in this challenge. This documentary by Lee Hirsch recounts a fascinating and little-known part of South Africa's political history through archival footage, interviews and, of course, several mesmerizing musical performances.
"1985: Heroes among Ruins" is a reflection of disaster. It is about the human solidarity, the search and rescue and the importance of civil protection, but above all, the triumph of the people over devastation during the earthquake of September 19, 1985 in Mexico City and the one ocurred in September 19, 2017.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
How do white South Africans deal with their fears of crime and violence? Like crocodiles, some survive without evolving, living with their fears. Others make fear their friend and evolve in ways you'd never imagine.
Nova and National Geographic present exclusive access to an astounding discovery of ancient fossil human ancestors.
A provocative look from within at Afrikaner extremists who, in 1991, clung to the belief that they were the chosen ‘super race’ of Africa. With the demise of white rule, many of these Boers lived in fear. Some had banded into paramilitary groups, such as Eugene Terre’Blanche’s Afrikaner Resistance Movement, which claimed wide support within the South African army and police. They were preparing for an armed showdown with the new government.
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
Shot in New York, Cape Town, St Helena and the Atlantic Ocean, Sathima's Windsong, is a lyrical portrait of South African jazz singer, Sathima Bea Benjamin. In her Chelsea Hotel apartment, home for over thirty years, she patches together her journeys, from apartheid's 'pattern of brokenness', to a chance meeting and recording with Duke Ellington in Paris, to making a life in New York. The narrative of her journeys are inter-woven with her music and the musings of folks who know her work. Like her haunting song, Windsong, the film is a meditation on displacement, exile and belonging.
South African producer / director JON DAY spent the last 5 years making a documentary about the mysterious rap-rave group, DIE ANTWOORD. Art directed by surrealist photographer, ROGER BALLEN. Narrated by NINJA & ¥O-LANDI'S daughter, 16 JONES.
From award-winning director Nick Broomfield, The Leader, His Driver, and the Driver's Wife documents Broomfield's efforts to interview Eugene Terre'Blanche, leader of the sinister neo-nazi AWB Afrikaner Party in South Africa. Cameras capture awkward interactions with skittish AWB supporters, combat training of militant youth, and the coveted interview itself. Broomfield's access to these events is made possible by the leader's driver, whose wavering allegiance to the movement is explored as well.
The story of the Londoners recruited to be freedom fighters during the South African apartheid during the 1960s.
Short documentary film about the Dumbarton Oaks plan and the proposed formation of the United Nations.
In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.
Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to politicians and media, this ordinary girl finds herself thrust onto the world stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people's good intentions.
The story of Canadian Lt. Gen. Roméo Dallaire and his controversial command of the United Nations mission to Rwanda during the 1994 genocide. The documentary was inspired by the book Shake Hands with the Devil: The Failure of Humanity in Rwanda which was published in 2003.
‘Future Sounds of Mzansi’ is a documentary, which aims to explore, express, and interrogate South Africa’s cultural landscape. A chief vehicle of this exploration is electronic music, a staple of South African popular culture. The film explores the past, present and future of the scene and its multiple sub-genres, presented through the eyes of internationally acclaimed artist Spoek Mathambo.
Two Dutch lawyers, Michiel Pestman and Victor Koppe, travel to Cambodia in 2011 to defend Nuon Chea in an international tribunal. Nuon Chea, also known as Brother No. 2, was the second man after Pol Pot in the Khmer Rouge regime. He is being charged with mass murder and crimes against humanity. For four years, the documentary follows the lawyers in their attempt to give this man a fair trial, but the UN tribunal is beset by local interests and a government which consists partly of other former members of the Khmer Rouge who would really like all of the blame to rest solely on the defendant. What should've been the crowning achievement in the careers of the lawyers turns out very different.
The film documents the key political issues in recent years in South Africa that have marked the demise of the African National Congress (ANC). These include the Marikana massacre in August 2012, whereby 34 striking miners were gunned down by the ANC government's police force. Rehad Desai documented this historic event in his 2013 film MINERS SHOT DOWN. He refers to the incident once again in his latest film and shows how the ANC is undermining its close connections to the trade unions it set up as a freedom movement under Nelson Mandela, and how students have also turned on the party to protest against tuition fees under the motto #FeesMustFall. The film's compelling footage unmasks the cynical despotism of corrupt president Jacob Zuma, who is chiefly responsible for the ANC's demise and its catastrophic losses at the most recent elections. It also introduces opposition movements that are challenging his now-untenable position.
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