A journey through a century of Ambrosoli family history.
Social & External
Unknown Role
Megacities is a documentary about the slums of five different metropolitan cities.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In the heart of Sicily, where the Mafia still rules, one man and his family-run TV station, has become the lone voice against corruption and organized crime.
The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.
Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.
Brenda’s first memories were of growing up in a loving white foster family, before she was suddenly taken away and returned to her Aboriginal family. Decades later, she feels disconnected from both halves of her life, so she goes searching for the foster family with whom she had lost contact. Along the way she uncovers long-buried secrets, government lies, and the possibility of deeper connections to family and culture.
The hairstyles of four Afro-descendant people from Mexican - Senegalese families, represent the starting point to reflect, through memories that emerge from their past and present, what it is like to live in México wearing a Black Crown and the consequences that implies.
Danny Berish’s grandparents met at a nudist camp in 1949. In an effort to understand his grandparents’ radical lifestyle, he meets and mingles with members of Van Tan, Canada’s oldest naturist club.
Eliza Dushku takes on her homeland of Albania.
Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.
Documentary about brother and sister duo The Carpenters, one of the biggest-selling pop acts of the 1970s, but one with a destructive and complex secret that ended in tragedy.
After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.
Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.
Siddharta and Fabrizio, one of them nine years old, the other one 65, are the core of a community that renounces every civilising comfort. We are their guests – for one summer.
Angels Gather Here’ follows Jacki Trapman’s journey back to her hometown of Brewarrina to celebrate her parents, Bill and Barbara’s 60th Wedding Anniversary. Going home is never easy for Jacki. Amidst the family celebrations she reflects on her life; her story symbolising the strength, dignity and resilience of many Aboriginal people in the face of adversity.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
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