Social & External
Examining the movement that is ending the use of Native American names, logos, and mascots in the world of sports and beyond.
The 2010/11 season proved a rollercoaster journey for everyone involved at Chelsea FC. The club fought for the greatest honours both domestically and abroad in a thrilling season that ultimately ended in disappointment but not without some unforgettable moments that will be cherished by the players and fans. The season began with a bang. The team started in scintillating fashion winning their first six games with a flurry of goals as they romped to the top of the table. But ultimately, a mid-season slump in form cost the Blues. There was also heartbreak in the Champions League and a penalty loss to Everton in The FA Cup but the manner in which Chelsea pushed Manchester United right to the wire means that the 2011/12 season promises to be a memorable one! Every match and every goal from this season are covered in this action-packed review.
The most dominant team in Premier League history. That's what the stats say as Chelsea stormed to their fifth title with a record-breaking run in pole position. Manager, José Mourinho assembled a squad that combined devastating attacking invention with ruthless determination in defence. Irresistible force and immovable object. Among the highlights of a memorable campaign were the genius of Eden Hazard and the flair of Oscar and Willian complemented by the driving force up front of Diego Costa and the midfield mastery of Cesc Fàbregas. Nemanja Matic, a colossus in front of the best defence in the country, led by the indomitable skipper, John Terry, whose consistently outstanding performances have rolled back the years. Ten years on from José's first incredible season in charge, the Blues replicated that double triumph by also capturing the Capital One Cup at Wembley against London rivals Tottenham Hotspur. The foundations have been well and truly re-laid.
An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.
The main (super)hero of Beatrice Baldacci’s documentary is a person depicted as the sum of her memories. The story of the director and her family is told in the first person, with home VHS recordings that show both Beatrice’s mother and Beatrice as a child taking on the role of an agent of memory. Outdated technology transforms the events of twenty years ago into an archaeological object.
Time as punishment — of juvenile inmates and bodies that become heavy in prescribed spaces.
Scratches. Cross-outs. Stripes. Arnaud is tirelessly attacking ancient masters' painting reproductions with the tip of his pen. His free and living interlaces highlight shapes and figures.
Short 1964 black-and-white documentary featurette hosted by Sean Connery and featuring the real-life inspiration for the character of Q, Major Geoffrey Boothroyd with a discussion of the gun weaponry used by James Bond.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
When NFL superstar Barry Sanders vanished at the height of his career, he left the NFL world in shock. He was still in his prime, chasing the all-time NFL rushing record when he boarded a flight to England and never stepped foot on the field again. Now, 24 years later, Barry retraces his steps through the streets of London to finally confront the mystery.
Global soccer hero Thierry Henry stars in this up-close sports documentary that covers his 2010 move from Barcelona to the New York Red Bulls.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. It tells about the poorest in society living in the mountains and the rise of the SSSR. The product of a remarkable collaboration between the first Georgian female filmmaker and the leading Georgian avant-garde artist David Kakabadze.
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
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