Babs Comet is employed by the classified ad department of the daily paper and uses her looks and position to get a husband.
Social & External
Babs Comet
Lloyd Whiting
Spencer Clark
Mart Comet
Jeanette
The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.
Harold becomes the victim of a clever bulldog pup who chases him in and out of various places.
Chop Suey & Co. is a 1919 American short comedy film
Hear 'Em Rave is a 1918 short comedy film featuring Harold Lloyd.
The film begins with an obese woman going to the shoe store and insisting she's a size 3 1/2--though she's obviously much larger. Then, out of the blue, a cat and a stick figure appear and make fun of the woman--making fat jokes and the like.
Behind enemy lines, Captain Bob White disguises himself as a woman in order to fool members of the German High Command, including the Kaiser himself.
Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?
About a young pretty bride, who cannot choose between all the grooms that circles around her...
Max and his friend, who came to visit him in Paris both fall in love with his new maid. The girl is very friendly, and while one plays the piano, she dances with the other - and they are so happy that even the decor dances at the rhythm.
The daughter of a wealthy man secretly marries a man below her station— one whom her father violently disapproves of. The father, in an excess of parental concern, separates the lovers by sending his daughter away so that she might forget her lover, unaware of their married state. During this time, she gives birth to a daughter. After some months, the young mother returns to her family manor and presents her father with his new granddaughter, which causes a most unfortunate scene. Unbeknownst to the young woman, her enraged father falsely accuses his son-in-law of theft and has him incarcerated in order to separate the lovers in an irrational attempt to force his daughter to forget this "unworthy" young man.
A very good as a faithful husband, whose wife is looking for proof that more than his eyes have been roving. She hires a private detective to provide it.
In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians. He gets rid of the musicians, but, alas, the projectionist gets oil onto Ko-Ko's soon-to-be bride, melting her.
Shy Rigadin decides to visit some friends of the family, but they are called away and when out the servants play high society, dressing up and partying. Which is when Rigadin enters…
A stop-motion film from Émile Cohl with tin soldiers, children's drawings and cannibals.
Frenchman Count Hardup advertises for a wife. He gets more than he bargained for when women start chasing him. He's caught by an old maid.
A magician and some assistants put up a series of posters of music hall acts in a frame. Then the magician brings each poster to life.
Made in 1905 when short films were still being done in just one shot (for the Kinetoscope peep-show machines) and lasted about 2 minutes, this depicts a Mormon man trying to get his wives and children settled down for the night on a Pullman car in a train. The children wear him out wanting piggy-back rides, he and the wives put the children in their beds, but of course they need a drink. The poor mans takes a lip lashing from his wives and hurries out, returning shortly with a large milk can with several straws attached.
Two boxers climb into barrels and proceed to pummel each other in this novelty film from the Lumières.
Ko-Ko and Fitz emerge from an inkwell into the sultan's harem.
A runaway train speeds down the track.
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