Pig's Inferno

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

The Bek Show: End of Civilization

The versatile artist, BEK Hyunjin ventures into theater direction, leaving the actors in a state of confusion. His unconventional direction unfolds into strange scenes on stage. Scenes of people howling, a woman's monologue, another woman lip-syncing a song appear in random order, and BEK Hyunjin himself appears on stage as a primitive man, a singer and a narrator.

Keratin

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

687

Through Martian horizons, she gazes upon the world she’s only known through tales of scrap screens. Colors altered by fading memories, and shapes molded by imagination... Her perception of Earth, a symphony played by fragmented notes, an artwork painted by distant echoes. In the embrace of Mars, she carries the fractured essence of a heritage lost in space. Generations adrift in the solitude of the Martian plains, lives in a kaleidoscope of the world.

ART MADE ME DISAPPEAR

A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?

FUCK TV

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Trapline

Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".

Echo

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

Grid

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Anhell69

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

Here We Are

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

Interview and Reading: Jonas Mekas

Jonas Mekas recites poems of his, both in English and Lithuanian. Exclusive Mekas interview by the poet Sparrow. The legendary poet-film critic and film diarist waxes philosophical in rare extended setting exhibiting his transcendental poetic humor. Jonas attacks the crass world of TV advertising and sell-out commercial filmmakers. Contributes zen anecdotes and filmmaking advice. Choice clips include Mekas' Film Diaries with deceivingly formalist amateur "home movie" style, but in small bursts of expression in a quick collage. Footage from Jonas' homeland as well as clips of famed pop figures John Lennon, Yoko Ono and Tiny Tim.

A Day In LC

A person living in Liberty City goes to work, have some food & gets back home.

Those Who Wander

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

Once Faithful

Days slip away in a former baptist church haunted by its past

He Who Dances Passes

A being from the beyond returns to Chile in 2019, embodied in a worker who dreams of social upheaval. Viral videos intertwine with fiction to narrate the experiences of a polarized country that wanders between drama and absurdity, illusion and failure.

The Ruins

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

Le crash

Parergon

“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).

Witness

Experimental short film by Barbara Sykes